Authors: Wendy Wasserstein
ISBN-13: 9780375726033, ISBN-10: 0375726039
Format: Paperback
Publisher: Knopf Doubleday Publishing Group
Date Published: May 2002
Edition: Reprinted Edition
Wendy Wasserstein is the author of the the plays Uncommon Women and Others, Isn’t It Romantic, The Sisters Rosensweig, An American Daughter, and The Heidi Chronicles, for which she received a Tony Award and the Pulitzer Prize, and of the books, Bachelor Girls and Shiksa Goddess. She was admired both for the warmth and the satirical cool of her writing; each of her plays and books captures an essence of the time, makes us laugh and leaves us wiser. Wendy Wasserstein was born in 1950 in Brooklyn and died at the age of 55. Her daughter, Lucy Jane, lives in New York.
Celebrated playwright and magnetic wit Wendy Wasserstein has been firmly rooted in New York's cultural life since her childhood of Broadway matinees, but her appeal is universal.
Shoes, clothes, makeup, massages. Hiring a personal trainer. Lunch with Jamie Lee Curtis. These are some of the topics covered in this book, a compilation of magazine articles written in a breezy, splashy style by Pulitzer Prize-winning playwright Wasserstein. Mildly funny, good-natured and ephemeral, these essays reveal that Wasserstein's overwhelming strength and weakness is the same: She is totally in touch with contemporary society. She knows its headlines, its diets, its real estate woes and its television shows. When Madeleine Albright discovered that she had Jewish roots, Wasserstein discovered, in the title essay, that she had Episcopalian ones, and set about acquiring a faded cardigan sweater, a thirty-year-old Saab and "a divorced asexual friend from Amherst." One of Wasserstein's best pieces is a tribute to her sister Sandra, an unsentimental business executive who died at sixty of breast cancer. That essay leads to the final, wonderful meditation in which the author's efforts to conceive (despite being single and forty-eight) result in a dangerous pregnancy, the birth of a tiny, premature daughter and enormous happiness.
Penelope Mesic
(Excerpted Review)
Preface | ||
Acknowledgments | ||
Shiksa Goddess | 3 | |
A Place They'd Never Seen: The Theater | 7 | |
Hillary Clinton's Muddled Legacy | 17 | |
The Forty-eight-Hour Turnaround | 21 | |
How Suite It Is | 30 | |
The LUMP List | 34 | |
She Saw Through Us | 38 | |
First Ladies Get Dressed | 40 | |
Good, Better, Bette | 45 | |
Diary | 56 | |
Three Sisters | 65 | |
Afternoon of a Fan | 68 | |
How to Do a Hollywood Awards Ceremony | 72 | |
Don't Tell Workshop | 85 | |
Wendy's Workshop | 85 | |
The Holiday Chronicles | 87 | |
My Low-Fat Dinner with Jamie Lee Curtis | 92 | |
Jill's Adventures in Real Estate: or, I Can Get it for You at 3.2 | 101 | |
Women Beware Women | 116 | |
Designing Men | 120 | |
The Muse That Mewed | 123 | |
Heidi Chronicled | 128 | |
The Me I'd Like to Be | 131 | |
Mom Says Every Day Is Mother's Day | 135 | |
Waif Goodbye, Hello Bulge | 138 | |
Making Nice: When Is Enough Enough? | 143 | |
The State of the Arts | 148 | |
Dear Broadway, This Isn't Really Goodbye | 156 | |
Poles Apart | 159 | |
Ah, That First Feast in Wild Manhattan | 165 | |
New York Theater: Isn't It Romantic | 169 | |
Directing 101: George Abbott on What Works | 175 | |
Theater Problems? Call Dr. Chekhov | 180 | |
How I Spent My Forties | 187 | |
Days of Awe: The Birth of Lucy Jane | 206 |