In the River Sweet » (Reprint)

Patricia Henley’s first novel, Hummingbird House, was a finalist for the 1999 National Book Award and The New Yorker Best Fiction Book Award. Henley has also written two books of poetry, Learning to Die and Back Roads, and three story collections: Friday Night at Silver Star, which won the 1985 Montana Arts Council First Book Award; The Secret of Cartwheels; and Worship of the Common Heart: New and Selected Stories. Her stories have been published in such magazines as The Atlantic Monthly, Ploughshares, The Missouri Review, The Boston Globe Sunday Magazine, and Northwest Review, and anthologized in The Best American Short Stories and The Pushcart Prize anthology. Henley lives in West Lafayette, Indiana, where she teaches in the M.F.A. Creative Writing Program at Purdue University.

National Book Award finalist Patricia Henley captivates us with this engrossing novel of a woman whose long-held secret will transform her life and her marriage.

From all appearances, Ruth Anne Bond is enviably lucky. Her husband, Johnny, still treats her like a young lover. Her grown daughter is a staunch friend. Her steady work and devotion to the church have quietly made her a pillar of the community. Then one long Indiana summer brings some unexpected communiqués—including one she has both craved and feared for thirty years. As long-hidden truths threaten to emerge, for the first time in her marriage Ruth Anne is faced with memories she and Johnny never discuss: of a year spent in Saigon in 1968—and a past she has yet to acknowledge. Probing questions of family and faith, Patricia Henley offers us a tender, far-sighted novel about seeking answers and achieving grace.

Publishers Weekly

Henley returns with a worthy successor to her first novel, Hummingbird House. The heroine, Ruth Anne Bond, is a woman of 50, living in Indiana; Johnny, her husband of nearly 30 years, is the proprietor of an upscale restaurant. Everything seems picture perfect until devoutly Catholic Ruth Anne learns that their only daughter, Laurel, is a lesbian. While she adjusts to this revelation (she is more upset by the Church's intolerance than by the fact itself), her own secret past catches up with her: she is contacted by Tin, the illegitimate son she conceived with a blind Vietnamese boy when she was a teenager working in a convent in Saigon. The moral dilemmas attendant upon living with such a secret are sensitively treated and readers' sympathies for each of the troubled characters will be fully engaged. Written from the point of view of Ruth Anne, the tale unfolds in her memories as she relives the events resulting from her stay in Vietnam. But she must also focus on her current problems, including marital discord and a violent attack on Laurel and her lover, Oceana. Though the plot moves back and forth in time a great deal, it is enhanced rather than weakened by this strategy. Henley, who is also a poet, balances long, stream-of-consciousness passages with short, potent sentences to wonderful effect, tilling the familiar ground of sexuality and spirituality with originality and grace. (Oct. 1) Forecast: Henley's work has appeared in the Pushcart Prize anthology and The Best American Short Stories, and Hummingbird House was a 1999 National Book Award finalist. Expect more of the same kind of attention for her latest. Copyright 2002 Cahners Business Information.