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Aristotle's Poetics for Screenwriters: Storytelling Secrets from the Greatest Mind in Western Civilization » (1ST)

Book cover image of Aristotle's Poetics for Screenwriters: Storytelling Secrets from the Greatest Mind in Western Civilization by Michael Tierno

Authors: Michael Tierno
ISBN-13: 9780786887408, ISBN-10: 0786887400
Format: Paperback
Publisher: Hyperion
Date Published: August 2002
Edition: 1ST

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Author Biography: Michael Tierno

Book Synopsis

Long considered the bible for storytellers, Aristotle's Poetics is a fixture of college courses on everything from fiction writing to dramatic theory. Now story analyst Michael Tierno shows how this classic work can be an invaluable resource for beginning and advanced screenwriters or anyone interested in studying plot structure. In Aristotle's Poetics for Screenwriters, Tierno examines the fundamentals of screenwriting using techniques outlined in the Poetics, then applies these concepts to modern movie classics, including Citizen Kane, Rocky, Pulp Fiction, and many more. This highly readable guide covers a multitude of topics, from plotting and subplotting to dialogue and dramatic unity. Along the way, Tierno also gives tips based on his years as a story analyst, where he has learned what studios look for when they read a screenplay. His quick wit and easy-to-follow explanations of some of the Poetics' most difficult passages illuminate one of the most important books on story structure ever written.

Variety.com

Makes the precepts accessible with easy comparisons to contemporary hits.

Table of Contents

Prefacexvii
Introduction: The Action-Idea1
1.Let's Start at the Very Beginning, Middle, and End7
2.Why You Want Your Movie to Be a Bomb!13
3.The Subject Is an Action ... Not a Person19
4.Forget Sub-plotting--the Best Plots Have One-Track Minds25
5.Plot Is Soul31
6.The Ends Are Always in the Means of the Plot33
7.Why Is My Beautiful Plot Growing a Hand Out of Its Head?37
8.The Four Species of Plot41
9.What the Poetics Says About Epics Like Lord of the Rings47
10.Destiny Is an Accident Waiting to Happen55
11.Keep It in the Family ... The Tragic Deed59
12.Oops! I Caused My Own Undeserved Misfortune Again63
13.How a Little Moralizing Turned a Gladiator Gore Fest into a Best Picture71
14.A Movie Is Long Enough, So It Ends Happy or Sad75
15.If You're Happy and You Know It ... Time for a Reversal of Fortune and Discovery79
16."It Scared Me Because I Saw It Coming" ... The Rolls Royce of Complex Plots83
17.The Devil Is in the Realistic Details of the Plot of Angel Heart87
18.Whatever Causes the Action Better Be Up There on the Screen93
19.A Movie Gave You a Bad Case of Pity and Fear? The Doctor Recommends a Catharsis97
20.Action Speaks Louder Than Words, and Together They Can Speak Volumes!101
21.The Perfect Hollywood Sad/Happy Plot versus the Perfect Poetics Sad Plot105
22.Move Your Audience by Teaching Them What They Already Know109
23.The Good, the Bad, and the Intermediate Hero113
24.It's the Thought Behind the Action That Counts: Creating the Tone of Your Screenplay117
25.How to Cheat If You Can't Hire a Whole Chorus119
26.How to Create Characters That Are Really Really Really Alive123
27.Dialog Is a Piece of the Action129
28.If the Pitch Doesn't Fill Me with Horror and Pity, the Movie Won't Either135
29.The Non-Linear Soul of Quentin Tarantino139
30.If Your Story Were a Musical, Where Would the Numbers Be?143
31.History Repeats Itself ... Real and Imagined149
32.Aristotle's Take on the Importance of Drama153
33.Aristotle Took Comedy Seriously157
Closing Comments163

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