Authors: Sara Paretsky, Sara Paretsky
ISBN-13: 9780440223252, ISBN-10: 0440223253
Format: Mass Market Paperback
Publisher: Random House Publishing Group
Date Published: May 1997
Edition: Reprint
Sara Paretsky is credited with breaking the gender barrier in detective fiction with the creation of her hard-boiled female detective, V. I. Warshawski. In mysteries that have been translated into more than 20 languages, the no-nonsense and sexy V.I. keeps her eye on the city of Chicago, distributing justice to everyone from corporate crooks to government phonies and street hustlers.
These are stories of P.I.s who keep guns in their handbagsor their bras, of crime victims, homeless women, and housewives whose ordinary lives take a brutal, sometimes fatal twist. This collection brings several brilliant international authors to American readers for the first time, including Amel Benaboura, Irina Muravyova, and Helga Anderle. Mystery fans will also enjoy new works by familiar voices Sara Paretsky, Elizabeth George, Amanda Cross, Ruth Rendell, Antonia Fraser, Frances Fyfield, and many more contemporary masters.
In her introduction to a collection that endorses good politics at least as much as good storytelling, Paretsky tackles the thorny issue of ``what if anything I am doing to acknowledge my duty to other women writers, and to the suffering of women in my own age.'' Fortunately, many entries satisfy both agendas admirably. In Nancy Pickard's "A Rock and a Hard Place," a woman who was raped and shot dreads further violence and hires a PI to prevent three murders that could be imminent. Frances Fyfield hints that some cultural differences can be deadly in ``Nothing to Lose,'' in which an Englishwoman marries a West African and soon begins contemplating his ``lovely funeral.'' One of a few entries in translation, ``Saturday Night Fever'' by Viennese writer Helga Anderle, trails a journalist the night she stumbles on a murder that demands she choose between career and conscience. Less rewarding is Ruth Rendell's ``Astronomical Scarf,'' which follows a scarf from owner to owner and in which Rendell's habitual delicious darkness takes a backseat to mere cleverness. The leadoff story, P.M. Carlson's ``Parties Unknown by the Jury,'' sets the tone of the book: in 1892, a white stage actress finds herself a witness to a Memphis lynching and comes upon Ida Wells at the dawn of her journalism career. Wells, as a woman who writes her way toward equality, is clearly intended as a guiding spirit of this purposeful collection. (June)
Introduction | ||
Parties Unknown by the Jury; or, The Valour of My Tongue | 1 | |
A Rock and a Hard Place | 21 | |
Solar Zits | 37 | |
The Astronomical Scarf | 45 | |
On the Edge | 53 | |
Nightfire | 61 | |
Beneath the Lilacs | 71 | |
Nothing to Lose | 85 | |
The Surprise of His Life | 95 | |
Only a Woman | 119 | |
Miles to Go | 127 | |
A Lesson in Murder | 143 | |
Miss Gibson | 163 | |
Green Murder | 179 | |
The Baroness | 195 | |
7.62 | 211 | |
I'll Get Back to You | 223 | |
Saturdy Night Fever | 241 | |
Dreams of Home | 251 | |
Hamlet's Dilemma | 273 | |
Lost Dreams | 285 | |
A Witch and Her Cats | 295 | |
Belladonna | 307 | |
Publicity Stunts | 321 | |
The Cracks in the Sidewalk | 341 | |
Performance Crime | 355 |