Authors: Anthony Bozza
ISBN-13: 9781400053803, ISBN-10: 1400053803
Format: Paperback
Publisher: Crown Publishing Group
Date Published: September 2004
Edition: Reprint
ANTHONY BOZZA worked as a writer and editor at Rolling Stone from 1995 to 2002, where he wrote several major stories on Eminem as well as cover stories on a range of artists, from Jennifer Lopez to Nine Inch Nails. His writing has appeared in Maxim, Paper, Elle, Allure, Arena (UK), and The Face (UK). This is his first book. He lives in New York City.
does eminem matter?
On assignment for his first cover story for Rolling Stone, the very first national cover story on Eminem, Anthony Bozza met a young blond kid, a rapper who would soon take the country by storm. But back in 1999, Eminem was just beginning to make waves among suburban white teenagers as his first single, “My Name Is,” went into heavy rotation on MTV.
Who could have predicted that in a mere two years, Eminem would become the most reviled and controversial hip-hop figure ever? Or that twelve months after that, Eminem would sit firmly at the pinnacle of American celebrity, a Grammy winner many times over and the recipient of an Oscar.
did eminem change or did america finally figure him out?
Whatever You Say I Am attempts to answer this question and many more. Since their first meeting, Bozza has been given a level of access to Eminem that no other journalist has enjoyed. In Whatever You Say I Am, original, never-before-published text from Bozza’s interviews with Eminem are combined with the insight of numerous hip-hop figures, music critics, journalists, and members of the Eminem camp to look behind the mask of this enigmatic celebrity. With an eye toward Eminem’s place in American popular culture, Bozza creates a thoughtful portrait of one of the most successful artists of our time. This is so much more than a biography of a thoroughly well-documented life. It is a close-up look at a conflicted figure who has somehow spoken to the heart of America.
Although Whatever You Say I Am sometimes bogs down in the minutiae of hip-hop rivalries and cites endless critical yammering about the star's importance, it will still interest anyone seriously impressed with Eminem's abilities and his prospects.Dismissing reflexive invocations of Bob Dylan and the Beatles as fellow musicians who helped shape the lives of their listeners, Mr. Bozza points instead to the more protean and mercurial David Bowie and post-Beatles-breakup John Lennon as forebears. Janet Maslin
Acknowledgments | ix | |
Introduction: I'd like to welcome y'all to the eminem show | 1 | |
1 | This looks like a job for me the evolution of eminem | 9 |
2 | I only cuss to make your mom upset a lot of truth is said in jest | 41 |
3 | Damn! how much damage can you do with a pen? marshall and the media-from pans to fans | 77 |
4 | This rap game from kool herc to kool keith-a brief history of hip-hop | 117 |
5 | Became a commodity because l'm w-h-i-t-e caucasion persuasion-flipping the race rap | 159 |
6 | We call it amityville that's the mentality here, that's the reality here-to live and thrive in detroit | 201 |
7 | If I'm a criminal, how can i raise a little girl? moms, marriage, and the morals of marshall mathers | 229 |
Conclusion: watch me, 'cause you thinkin' you got me in the hot seat from a sinner to a saint | 259 | |
Bibliography | 271 |