We Are on Our Own »

Born in Hungary during WWII, Miriam Katin immigrated to Israel in 1957 where she served in the Israeli Defense Forces as a graphic artist. She has lived in New York City since 1990, working as a background designer for MTV and Disney.

A stunning memoir of a mother and her daughter's survival in WWII and their subsequent lifelong struggle with faith

In this captivating and elegantly illustrated graphic memoir, Miriam Katin retells the story of her and her mother's escape on foot from the Nazi invasion of Budapest. With her father off fighting for the Hungarian army and the German troops quickly approaching, Katin and her mother are forced to flee to the countryside after faking their deaths. Leaving behind all of their belongings and loved ones, and unable to tell anyone of their whereabouts, they disguise themselves as a Russian servant and illegitimate child, while literally staying a few steps ahead of the German soldiers.

We Are on Our Own is a woman's attempt to rebuild her earliest childhood trauma in order to come to an understanding of her lifelong questioning of faith. Katin's faith is shaken as she wonders how God could create and tolerate such a wretched world, a world of fear and hiding, bargaining and theft, betrayal and abuse. The complex and horrific experiences on the run are difficult for a child to understand, and as a child, Katin saw them with the simple longing, sadness, and curiosity she felt when her dog ran away or a stranger made her mother cry. Katin's ensuing lifelong struggle with faith is depicted throughout the book in beautiful full-color sequences.

We Are on Our Own is the first full-length graphic novel by Katin, at the age of sixty-three.

Publishers Weekly

This moving WWII memoir is the debut graphic novel from Katin, an animator for Disney and MTV. It tells the story of toddler Katin-here called Lisa-and her mother, Esther Levy, Hungarian Jews who must flee Nazi persecution. With her husband off fighting in the Hungarian army, Esther is forced to abandon all their belongings and take on the identity of a servant girl with a bastard child. She survives however she can-whether making alterations on the bloodstained uniforms of dead soldiers or surrendering her body to an adulterous German officer. Katin shows Esther's harrowing experiences with an objective eye, but her own experience of the time is the fragmented memory of a child; unable to understand the vast tragedy unfolding around her, she focuses on the loss of a pet dog. The story flashes forward to the '70s and even later to show the long-term effects on Katin and her family's faith. Katin's art is an impressionistic swirl; early scenes in sophisticated Budapest recall the elegance of Helen Hokinson, while the chaos of war is captured in dark, chaotic compositions reminiscent of Kathe Kollwitz. This book is a powerful reminder of the lingering price of survival. (May) Copyright 2006 Reed Business Information.