Unwind » (Reprint)

Neal Shusterman is the author of many novels for young adults, including Unwind, which was an ALA Best Book for Young Adults and a Quick Pick for Reluctant Young Readers, Everlost, and Downsiders, which was nominated for twelve state reading awards.  He also writes screenplays for motion pictures and television shows such as Animorphs and Goosebumps. The father of four children, Neal lives in southern California.

Connor, Risa, and Lev are running for their lives.

The Second Civil War was fought over reproductive rights. The chilling resolution: Life is inviolable from the moment of conception until age thirteen. Between the ages of thirteen and eighteen, however, parents can have their child "unwound," whereby all of the child's organs are transplanted into different donors, so life doesn't technically end. Connor is too difficult for his parents to control. Risa, a ward of the state is not enough to be kept alive. And Lev is a tithe, a child conceived and raised to be unwound. Together, they may have a chance to escape and to survive.

"Characters live and breathe; they are fully realized and complex, sometimes making wrenching difficult decisions. This is a thought-provoking, well-paced read that will appeal widely." School Library Journal, starred review

"[A] gripping, brilliantly imagined futuristic thriller...could hardly be more engrossing or better aimed to teens." Publishers Weekly, starred review

"[A] nail-biting, character-driven thriller." Horn Book magazine

The New York Times - Ned Vizzini

What keeps Unwind moving are the creative and shocking details of Shusterman's kid-mining dystopia. First, there are the Orwellian linguistic tricks. People who have been unwound are not "dead"—they are "in a divided state." Then there are the rules and rituals. Before being unwound, Lev is honored with a lavish "tithing party," which bears a strong resemblance to a bar mitzvah. The most terrifying scene is devoted to the unwinding itself. The author's decision to describe the process is a questionable one—a book's great unknown can leave the strongest impression on a reader—but he executes as precisely as the surgeons who perform the unwinding. Ultimately, though, the power of the novel lies in what it doesn't do: come down explicitly on one side or the other.