Authors: Jeane Luere, Sidney Berger
ISBN-13: 9780313300509, ISBN-10: 031330050X
Format: Hardcover
Publisher: Greenwood Publishing Group, Incorporated
Date Published: January 1998
Edition: (Non-applicable)
JEANE LUERE is Professor Emeritus of Theatre at the University of Northern Colorado.
SIDNEY BERGER is John and Rebecca Moores Professor and Director, School of Theatre, University of Houston. He is also the founder and Producing Director of the Houston Shakespeare Festival and the Children's Theatre Festival.
Successful theatrical productions are a team effort and require the close cooperation of the playwright, producer, director, designers, and actors. The group responsible for selecting a play and the style of its production must first reach a consensus on their reason for being and their rationale for approaching an audience. The goals and modes of production are constantly evolving, requiring theatre personnel to be constantly conversant with shifts in the functions of members of theatre teams, in forms and styles of drama, and in techniques of staging. This book stresses the need for collaboration and communication among the members of the theatre team during the moving of a script toward its audience.
Though evolution in the roles of producer, playwright, and director has been neither uniform nor evenly paced, this book demonstrates that change itself provides theatre teams openings for inspiration and creation. Through examples of production successes and failures of eminent plays since mid-century, and through discussions of specific interaction or lack of it among those who produced and directed the plays, this volume stresses clearly delegated authority and responsibility of production roles. Full-scale interaction is vital as the members of the theatre team interpret, rehearse, and perform a play. This book also includes sections on the different production circumstances encountered by theatre teams of various levels and excerpts from interviews with theatre professionals.
A well organized analysis of the elements necessary to mount a production of a play. Includes interviews and personal accounts with many well known people from all the disciplines covered. Stresses the need for collaboration and communication throughout the process, from the initial production concept through to opening night. Examines the function of each role and its interaction with the theater team as a whole. Appends a set of discussion questions for each part of the text. Annotation c. by Book News, Inc., Portland, Or.
Acknowledgments | ||
Introduction: The Theatre Team: Taking the Play to the Stage | ||
Pt. I | The Producer | |
1 | The Producer's Role | 3 |
2 | Interviews, Personal Accounts, Comments by Producers | 11 |
3 | The Producer's Interaction with the Theatre Team in Legitimate Theatre | 21 |
4 | The Producer's Interaction with the Theatre Team in Musical Theatre, 1940 to the Present | 35 |
Pt. II | The Director | |
5 | The Director's Role | 43 |
6 | Interviews, Personal Accounts, Comments by Directors | 47 |
7 | The Director's Interaction with the Theatre Team | 65 |
Pt. III | The Playwright | |
8 | The Playwright's Role | 87 |
9 | Interviews, Personal Accounts, Comments by Playwrights | 91 |
10 | The Playwright's Interaction with the Theatre Team | 97 |
Pt. IV | The Designer | |
11 | The Designer's Role | 111 |
11 | Interviews, Personal Accounts, Comments by Designers | 113 |
12 | Interviews, Personal Accounts, Comments by Designers | 113 |
13 | The Designer's Interaction with the Theatre Team | 123 |
Pt. V | The Actor | |
14 | The Actor's Role | 129 |
15 | Interviews, Personal Comments, Points of View | 131 |
16 | The Actor's Interaction with the Theatre Team | 139 |
Appendix | Issues for Discussion in Parts I through V | 147 |
Works Cited | 155 | |
Index | 161 |