The Woman in White »

If you think Victorian literature is quaint, you haven t read anything by Wilkie Collins. Often considered the father of the English detective novel, Collins has thrilled readers with suspenseful gothic tales such as The Woman in White and The Moonstone.

This riveting tale of mistaken identities, surprise revelations, locked rooms, and an unorthodox villain has enthralled readers since first published more than 140 years ago.

Publishers Weekly

Playwright and audio dramatist Beverley Cooper has done a masterful job in adapting Collins's classic Victorian suspense novel to the audio medium. Within the framing story of a courtroom setting, each character stands up to describe the events that he or she has witnessed; the words of testimony then fade into a flashback scene, so the listener can experience the story as it unfolds. The actors are simply marvelous, particularly Douglas Campbell as the oily, sinister Count Fosco and Cedric Smith as Lord Percival Glyde, the manipulative gold digger with secrets to hide. Suzanne Hoffman sounds appropriately sweet and lovely as Laura, the damsel in distress, and Gina Wilkinson gives a nice contrasting performance as her practical, intelligent and down-to-earth sister, Marian. The story is well paced and suspenseful, while background music adds a subtly ominous atmosphere without distracting from the tale. Likewise, the production uses just the right amount of sound effects. With its colorful characters and air of mystery, this superb dramatization truly does the tale justice. (Dec.)