Authors: Sarah B. Wright
ISBN-13: 9781855660748, ISBN-10: 1855660741
Format: Hardcover
Publisher: Boydell & Brewer, Limited
Date Published: September 2000
Edition: (Non-applicable)
An important contribution to the understanding of the theatrical output of major figure of Spanish literary canon.
Wright (Hispanic studies, U. of Hull) discusses the work of playwright Federico Garc<'i>a Lorca with an emphasis on the themes of androgyny, male fantasy, masochism, masquerade, and the carnivalesque. The works studied are among those previously considered to be marginal to the Lorca canon, including and blico./> Annotation c. Book News, Inc., Portland, OR (booknews.com)
Acknowledgements | vii | |
Abbreviations | ix | |
Introduction: The Trickster-Function in the Theatre of Garcia Lorca | 1 | |
Section I. | An Invitation to the Play | |
I | Author(ity) and the Laughter of Signs The Autor/Director/Poeta and Other Trickster Figures in the Theatre of Garcia Lorca | 13 |
Section II. | The Trickster, Gender and Masquerade | |
II | Perlimplin's Seduction Femininity, Masquerade and the trompe l'oeil | 39 |
III | Asi que pasen cinco anos. Leyenda del tiempo Masochism and the Limits of Masculinity | 62 |
IV | The Riddling of Difference Representations of the Androgyne | 87 |
Section III. | The Body in Pain: Collectivity and the Carnivalesque | |
V | The Body in Pain Elements of the Carnivalesque in El publico | 105 |
Conclusion: Off Limits | 126 | |
Bibliography | 129 | |
Index | 145 |