The Taking » (Reprint)

Amazingly prolific and relentlessly suspenseful, Dean Koontz can be counted on for chilling, sometimes gory stories that occasionally overlap genres. His novels can jump from straightforward crime to sci-fi to horror, but the one thing he's consistent about is delivering nail-biting yarns that have kept fans reading for more than three decades.

On the morning that will mark the end of the world they have known, Molly and Niel Sloan awaken to the drumbeat of rain on their roof. It has haunted their sleep, invaded their dreams, and now they rise to find a luminous silvery downpour drenching their small California mountain town. A strange scent hangs faintly in the air, and the young couple cannot shake the sense of something wrong.

As hours pass and the rain continues to fall, Molly and Niel listen to disturbing news of extreme weather phenomena across the globe. Before evening, their little town loses television and radio reception. Then telephone and the Internet are gone. With the ceaseless rain now comes an obscuring fog that transforms the once-friendly village into a ghostly labyrinth. By nightfall the Sloans have gathered with some of their neighbors to deal with community damage...but also because they feel the need to band together against some unknown threat, some enemy they cannot identify or even...

Publishers Weekly

In 1975, the now defunct Laser Books issued Invasion by Aaron Wolfe, aka Koontz (who later expanded that novel into Winter Moon, 1994), a breakneck tale of alien invasion centered on an isolated farm. Koontz's new novel also concerns alien invasion, and a comparison of the two books offers insight into the evolution of this megaselling author's work. Invasion was mostly speed and suspense-a brilliant if superficial exercise in terror. The new novel also features abundant suspense, as a couple in an isolated California home endure a phosphorescent rain and learn that, around the world, something is attacking humans and laying waste to communications. It's only when they drive to a nearby town that they learn of a global alien invasion; the tension ratchets as a weird fog descends and the aliens not only manifest physically but animate the dead. For years, however, Koontz has aimed at more than just thrills; today he is a novelist of metaphysics and moral reflection. His aliens are inherently evil as well as scary; standing against them are the human capacity for hope and the forces of goodness and innocence (here, as elsewhere, embodied in dogs), and near novel's end Koontz puts an overtly religious spin on his tale. Koontz's language has changed over the years, too, and not always for the better. While his care with words engenders admiration, his love of metaphor and alliteration can slow down the reading ("the luminous nature of the torrents that tinseled the forest and silvered the ground"). Also missing here is the wonderful humor that elevated his last novel, Odd Thomas, and some other recent work. Koontz remains one of the most fascinating of contemporary popular novelists, and this stands as an important effort, but not his best, though its sincerity and passion can't be denied. Agent, Robert Gottlieb at Trident Media. (May 25) Copyright 2004 Reed Business Information.