The System of the World (Baroque Cycle Series, Parts 6-8) » (with Insights and Interviews)

A decade after novelist William Gibson coined the term virtual reality, Neal Stephenson burst onto the science fiction scene with Snow Crash, his own manic take on the interface between man and machine. More recently, the cyberpunk visionary has turned his sights away from the future of technology, and toward the question of how and why it arose the way it did.

The thrilling conclusion to the New York Times bestselling "Baroque Cycle," THE SYSTEM OF THE WORLD delivers intrigue, adventure, and excitement set against the political upheaval of the early 18th century Tory-Whig power struggle.

THE SYSTEM OF THE WORLD concludes the epic adventure begun in Quicksilver and continued in The Confusion.

The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a criminal gang attempting to blow up Natural Philosophers with "Infernal Devices," or time bombs. Unbeknownst to Daniel, however, Newton has an ulterior motive: to wrest the Solomonic Gold from the control of his arch-enemy, the master counterfeiter Jack the Coiner, a.k.a Jack Shaftoe, King of the Vagabonds. As Daniel and Newton machinate and maneuver, an increasingly vicious struggle rises for control of the Bristish Crown: Who will take control when the queen dies? Tories and Whigs are set against each other as people jockey to replace Queen Anne with the Hanoverian dynasty of Princess Caroline, with whom the multi-talented Eliza has become closely associated. . . 

Publishers Weekly

The colossal and impressive third volume (after Quicksilver and The Confusion) of Stephenson's magisterial exploration of the origins of the modern world in the scientific revolution of the baroque era begins in 1714. Daniel Waterhouse has returned to England, hoping to mediate the feud between Sir Isaac Newton and Leibniz, both of whom claim to have discovered the calculus and neither of whom is showing much scientific rationality in the dispute. This brawl takes place against the background of the imminent death of Queen Anne, which threatens a succession crisis as Jacobite (Stuart, Catholic) sympathizers confront supporters of the Hanoverian succession. Aside from the potential effect of the outcome on the intellectual climate of England, these political maneuverings are notable for the role played by trilogy heroine Eliza de la Zour, who is now wielding her influence over Caroline of Ansbach, consort of the Hanoverian heir. Eliza has risen from the streets to the nobility without losing any of her creativity or her talents as a schemer; nor has outlaw Jack Shaftoe lost any of his wiliness. What he may have lost is discretion, since he oversteps the boundaries of both law and good sense far enough to narrowly escape the hangman. In the end, reluctant hero Waterhouse prevails against the machinations of everybody else, and scientific (if not sweet) reason wins by a nose. The symbol of that victory is the inventor Thomas Newcomen standing (rather like a cock crowing) atop the boiler of one of his first steam engines. This final volume in the cycle is another magnificent portrayal of an era, well worth the long slog it requires of Stephenson's many devoted readers. Agent, Liz Darhansoff at Darhansoff, Verrill, Feldman Literary Agents. 6-city author tour. (Oct.) Copyright 2004 Reed Business Information.