The Split Scene of Reading: Nietzsche/Derrida/Kafka/Bachmann (Philosophy and Literary Theory Series) »

In The Split Scene of Reading, Sabine I. Golz demonstrates how the work of Austrian poet Ingeborg Bachmann (1926-1973) draws the limits of the universe of European modern male "writing" from the outside, while Nietzsche, Kafka, and Derrida, by contrast, systematically repress the possibility Bachmann utilizes. Golz also exposes the intrinsic genderedness of Derrida's theorization of writing by taking deconstruction one step further than Derrida permits it to go. That additional step reveals that the stance assumed in Bachmann's work is a founding blindspot not only of Derridean deconstruction, but also of most contemporary criticism and literary theory. The Split Scene of Reading makes a contribution of considerable magnitude to several areas of contemporary scholarship: the theorization of textuality, reference, gender, and subjecthood. By considering the interaction of "actual" subjects and representation, Golz also addresses a crucial (and under-theorized) juncture at the heart of cultural studies. She also makes significant and thought-provoking contributions to the critical literatures on Nietzsche, Kafka, and Derrida.

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Ingeborg Bachmann (1926-1973) is under-recognized in the US, but known as one of the most distinguished Austrian prose writers of the 20th century and one of the most prominent German-language lyrical voices of the early post-World War II period. This study looks at Bachmann's stance in relation to Nietzsche, Kafka, and Derrida, and contributes to several areas of contemporary scholarship<-->the theorization of textuality, reference, gender, and subjecthood. Annotation c. by Book News, Inc., Portland, Or.