Authors: Christopher Booker
ISBN-13: 9780826480378, ISBN-10: 0826480373
Format: Paperback
Publisher: Continuum International Publishing Group
Date Published: January 2006
Edition: (Non-applicable)
In this arduous undertaking, 34 years in the making, Booker attempts to the tell the story of all stories, from Beowulf to The Texas Chainsaw Massacre. Referring to every genre, including folktales, films, operas and soap operas, Booker describes seven basic plots, which he contends share basic character types and present different views of the same central preoccupation. He then discusses the shift in the last 200 years to darker and less satisfactory endings, a move he deplores, preferring instead stories such as The Lord of the Rings in which all seven plots are combined in a single narrative. Booker concludes that the propensity to tell stories that conform to the basic plots is essential to human psychology. Annotation ©2004 Book News, Inc., Portland, OR
In laying out these archetypes, Mr. Booker - a British newspaper columnist and the founding editor of the satirical magazine Private Eye - does a nimble job of collating dozens of stories, using the 34 years he says it took him to write this volume to identify and explicate all sorts of parallels and analogies that might not occur to the casual reader. He shows us how "The Terminator" and its sequel "Judgment Day" adhere to traditional narrative tropes, moving inexorably if violently toward the ideas of rebirth and redemption. And he reminds us how the movie "E.T." embodies classic coming-of-age-story patterns: the boy hero Elliott's encounter with E.T., his alien alter ego, helps him to grow up, forces him to demonstrate leadership, and enables him to bring new harmony to his fragmented family.
Ch. 1 | Overcoming the monster | 21 |
Ch. 2 | The monster (II) and the thrilling escape from death | 31 |
Ch. 3 | Rags to riches | 51 |
Ch. 4 | The quest | 69 |
Ch. 5 | Voyage and return | 87 |
Ch. 6 | Comedy | 107 |
Ch. 7 | Comedy (II) : the plot disguised | 131 |
Ch. 8 | Tragedy (I) : the five stages | 153 |
Ch. 9 | Tragedy (II) : the divided self | 173 |
Ch. 10 | Tragedy (III) : the hero as monster | 181 |
Ch. 11 | Rebirth | 193 |
Ch. 12 | The dark power : from shadow into light | 215 |
Epilogue to part one : the rule of three (the role played in stories by numbers) | 229 | |
Ch. 13 | The dark figures | 241 |
Ch. 14 | Seeing whole : the feminine and masculine values | 253 |
Ch. 15 | The perfect balance | 267 |
Ch. 16 | The unrealised value | 277 |
Ch. 17 | The archetypal family drama | 289 |
Ch. 18 | The light figures | 297 |
Ch. 19 | Reaching the goal | 311 |
Ch. 20 | The fatal flaw | 329 |
Ch. 21 | The ego takes over (I) : enter the dark inversion | 347 |
Ch. 22 | The ego takes over (II) : the dark and sentimental versions | 367 |
Ch. 23 | The ego takes over (III) : quest, voyage and return, comedy | 385 |
Ch. 24 | The ego takes over (IV) : tragedy and rebirth | 399 |
Ch. 25 | Losing the plot : Thomas Hardy - a case history | 413 |
Ch. 26 | Going nowhere : the passive ego : the twentieth-century dead end - from Chekhov to Close encounters | 425 |
Ch. 27 | Why sex and violence? : the active ego : the twentieth-century obsession : from de Sade to The terminator | 455 |
Ch. 28 | Rebellion against 'the one' : from Job to Nineteen eighty-four | 495 |
Ch. 29 | The mystery | 505 |
Ch. 30 | The riddle of the sphinx : Oedipus and Hamlet | 517 |
Ch. 31 | Telling us who we are : ego versus instinct | 543 |
Ch. 32 | Into the real world : the ruling consciousness | 571 |
Ch. 33 | Of Gods and men : reconnecting with 'the one' | 593 |
Ch. 34 | The age of Loki : the dismantling of the self | 645 |
Epilogue : the light and the shadows on the wall | 699 |