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The Routledge Dance Studies Reader »

Book cover image of The Routledge Dance Studies Reader by Alexandra Carter

Authors: Alexandra Carter (Editor), Janet O'Shea
ISBN-13: 9780415485982, ISBN-10: 0415485983
Format: Hardcover
Publisher: Taylor & Francis, Inc.
Date Published: March 2010
Edition: (Non-applicable)

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Author Biography: Alexandra Carter

Alexandra Carter is Professor in Dance Studies at Middlesex University. She edited The Routledge Dance Studies Reader (1998) and Rethinking Dance History (2004). A sole-authored book on gender and ballet in the Victorian music halls was published in 2005. She is on the Editorial Board of Dance Theatre Journal and Dancelines (Research in Dance Education).

Janet O'Shea is Associate Professor in World Arts and Cultures, University of California, Los Angeles. Her book At Home in the World: Bharata Natyam on the Global Stage (University of Wesleyan Press, 2007) received the Association for Asian Studies First Book Subvention Award.

Book Synopsis

The Routledge Dance Studies Reader represents the range and diversity of writings from the 1980s and 1990s, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz, South Asian dance and Black dance.
In an enlightening introduction, Alexandra Carter traces the development of dance studies internationally and surveys current debates about the methods and methodologies appropriate to the study of dance. The collection is divided into five sections, each with an editorial preface, and featuring contributions by choreographers, performers, critics and scholars of dance and related disciplinary fields. The sections address:

• choreographing

• performing

• writing criticism

• the place of dance in history and society

• analysing dance works Includes selections by: Joan Acocella, Ramsey Burt, Arlene Croce, Merce Cunningham, Martha Graham, Lynn Garafola, Shobana Jeyasingh, Ted Polhemus and Yvonne Rainer.

Table of Contents

Acknowledgements
List of contributors
1General introduction1
Pt. IMaking dance
Introduction19
2Choreographers: dancing for de Valois and Ashton23
3Torse: there are no fixed points in space29
4'No' to spectacle ...35
5Pina Bausch: dance and emancipation36
6Imaginary homelands: creating a new dance language46
Pt. IIPerforming dance
Introduction53
7Dancers talking about performance57
8I am a dancer66
9A dancing consciousness72
10Spacemaking: experiences of a virtual body81
Pt. IIIReviewing dance
Introduction89
11Bridging the critical distance91
12Between description and deconstruction98
13Oh, That Pineapple Rag!108
14Spring: Ashton's Symphonic Variations in America113
Pt. IVStudying dance: conceptual concerns
Introduction119
15What is art?125
16A vulnerable glance: seeing dance through phenomenology135
17Dance history source materials144
18Embodying difference: issues in dance and cultural studies154
19An introduction to dance analysis163
20Dance, gender and culture171
21Choreographing history180
Pt. VLocating dance in history and society
Introduction193
22Myths of origin197
23In pursuit of the sylph: ballet in the Romantic period203
24Diaghilev's cultivated audience214
25Women writing the body: let's watch a little how she dances223
26'Keep to the rhythm and you'll keep to life': meaning and style in African American vernacular dance230
Pt. VIAnalysing dance
Introduction237
27Dance and gender: formalism and semiotics reconsidered241
28Nijinsky: modernism and heterodox representations of masculinity250
29Dances of death: Germany before Hitler259
30Mark Morris: the body and what it means269
31Dance and music video: some preliminary observations278
32Two analyses of 'Dancing in the Dark' (The Band Wagon, 1953)288
Bibliography294
Index305

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