The Return Journey » (Reissue)

As an author, Binchy's goal is simple: to let the story shine through. She told Oprah Winfrey, "I do not have a particular literary style, I am not experimental ... I tell a story and I want to share it with my readers." As a result, with her Ireland-set stories featuring strong heroines, friendship and romance, Binchy has gained quite a following since she became a bestselling author at age 43.

In this extraordinary collection of stories, the New York Times-bestselling author of Evening Class and This Year It Will Be Different once again reveals her incomparable understanding of matters of the heart. In The Return Journey, Maeve Binchy brings us sons and lovers, daughters and strangers, husbands and wives in their infinite variety—powerfully compelling stories of love, loss, revelation, and reconciliation.

A secretary's silent passion for her boss meets the acid test on a business trip....A man and a woman's mutual disdain at first sight shows how deceptive appearances can be....An insecure wife clings to the illusion of order, only to discover chaos at the hands of a house sitter who opens the wrong doors....A pair of star-crossed travelers take each other's bags, and then learn that when you unlock a stranger's suitcase, you enter a stranger's life. In their company are many more, whose poignant, ironic, often humorous stories—unforgettable slices of life—make up The Return Journey, a spellbinding trip into the human heart.

Maeve Binchy was born and educated in Dublin. She is the author of the bestselling books Evening Class, This Year It Will Be Different, The Glass Lake, The Copper Beech, The Lilac Bus, Circle of Friends, Silver Wedding, Firefly Summer, Echoes, Light a Penny Candle, and London Transports, three volumes of short stories, two plays, and a teleplay that won three awards at the Prague Film Festival. She has been writing for The Irish Times since 1969 and lives with her husband, Gordon Snell, in Dublin.

Publishers Weekly

Not without reason is Binchy (Evening Class; Circle of Friends) most popular for her novels, as this unimpressive collection of short stories linked by the theme of travel-and-learn indicates. Although the time is now and the place usually Dublin, the writing is dated, dependent on such romantic-comedy movie devices as mistaken identity, switched suitcases, confidante becoming lover, the stranger who upsets all the old balances, the surprise presence of Mum at the restaurant of the out-of-the-way hotel intended for a tryst. The most promising of the batch is the title story, a series of letters between a mother who left Ireland and her daughter, the young woman who has gone there to see the village her mother grew up in. The characters here have depth and secrets not immediately apparent. The conflicts between mother and daughter mirror the conflicts the mother has about her homeland. Unfortunately, the remaining 13 stories touch on formulaic generational and gender misunderstandings. The characters are established early, the predictable plot mechanisms uncoil like the proverbial spring and the conclusions are socked home, often in a chirpy manner. (Apr.)