Authors: Ana Enriqueta Teran, Marcel Smith (Translator), Marcelle D'Argy-Smith
ISBN-13: 9780691096728, ISBN-10: 0691096724
Format: Paperback
Publisher: Princeton University Press
Date Published: October 2002
Edition: BILINGUAL
"In this attractive anthology, Terán discloses a powerful and grand spirit, whether addressing her mother, her eagle, her rivers, or her dead brother; the idiom varies from the freedoms of early modernism to formal sonnets to the 'old woman's toys' of her final tercets, but the feelings are always dense with loved objects and local solicitude."--Richard Howard
"Above all, the poetry of Ana Enriqueta Terán transmits movement and contrasting sound patterns. In his dynamic and often inspired translations, Marcel Smith recovers for us the sprung rhythms and eccentric visual shifts in Terán's poetry. Smith has taken the risky step of translating and transforming to capture an extraordinarily complex and dense poetry, one with few equivalents even in Spanish."--Gwen Kirkpatrick, University of California, Berkeley
Born in Venezuela, where she still lives and works, in 1918, Teran published 12 books of verse between 1946 and 1992. Univ. of Alabama emeritus English professor Smith here presents a range of her steely and beautiful work, with original en face: "Simply complex, the heart turns aside/ from knowing the end where now/ becomes a robust darkness swelling/ grim light into reflex abyss." (Jan.) Copyright 2002 Cahners Business Information.
Translator's Preface | ||
Acknowledgments | ||
A Note about Sources | ||
To a White Horse | 3 | |
The Name | 5 | |
Wordstone | 7 | |
Deal Struck with Happiness | 9 | |
The Eagle | 11 | |
Fit Vision of This Dark Side | 13 | |
Dreams | 15 | |
Third Try at the Mother House | 43 | |
Messages for the Older Brother | 45 | |
Music with Psalm Foot | 53 | |
Pebbles for Scrying | 57 | |
The Poetess Counts to 100 and Bows Out | 59 | |
So much bread, so much oil | 63 | |
The strangers rattled at the door | 65 | |
She took in night in the pier glass | 67 | |
One only leaf, adagioed up | 69 | |
They who live there hurl their writings | 71 | |
Subtle in your fourteen lines surge | 73 | |
In the Suapure River | 75 | |
A puddle of shade, on its face | 77 | |
Wisdoms of uncertain silk cords | 79 | |
Music for lips, whirlwind the heart | 81 | |
The replies waver in a vain | 83 | |
Black, yellow, white as a subtle | 85 | |
Albatross | 89 | |
Splintery Responsibility | 91 | |
Ascents and Yet Distances | 93 | |
Never Seen Fowl | 95 | |
Not Resting Yet | 97 | |
Will of the Torn Scream | 99 | |
Rio Momboy | 103 | |
The Motatan | 107 | |
Other Rivers | 111 | |
Invocation to the Mother | 115 |