The Poet » (Unabridged)

A former Los Angeles Times crime reporter, Michael Connelly s familiarity with the seamy side of L.A. adds a steamy kind of street cred to his hardboiled, gritty detective novels -- especially his bestselling series of mysteries featuring dark detective Hieronymous Harry Bosch.

Denver Post crime-beat reporter Jack McEvoy specializes in violent death. So when his homicide-detective brother kills himself, McEvoy copes in the only way he knows how: he starts work on an investigative report about police suicides.

Publishers Weekly

In a departure from his crime novels featuring LAPD's Harry Bosch, Connelly (The Last Coyote) sets Denver journalist Jack McEvoy on an intricate case where age-old evils come to flower within Internet technology. Jack's twin brother, Sean, a Denver homicide detective obsessed with the mutilation murder of a young woman, is discovered in his car, dead of an apparently self-inflicted gunshot, with a cryptic note written on the windshield. Jack's investigation uncovers a series of cop suicides across the country, all of which have in common both the cops' deep concerns over recent cases and their last messages, which have been taken, he quickly determines, from the writings of Edgar Allan Poe. As his information reopens cases in Chicago, Baltimore, Dallas, New Mexico and Florida, Jack joins up with a team from the FBI's Behavioral Science Section, which includes sharp, attractive agent Rachel Walling. Connections between the dead cops, the cases they were working on and the FBI profile of a pedophile whom readers know as William Gladden occur at breakneck speed, as Jack and the team race to stay ahead of the media. Edgar-winning Connelly keeps a surprise up his sleeve until the very end of this authoritatively orchestrated thriller, when Jack finds himself in California, caught at the center of an intricate web woven from advanced computer technology and more elemental drives. (Jan.)