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Authors: Whitney Chadwick, Tirza True Latimer
ISBN-13: 9780813532929, ISBN-10: 0813532922
Format: Paperback
Publisher: Rutgers University Press
Date Published: August 2003
Edition: New Edition
Acknowledgments | ||
Introduction | ||
1 | Becoming Modern: Gender and Sexual Identity after World War I | 3 |
2 | Gender, Race, and Miscegenation: African Americans in Jazz Age Paris | 21 |
3 | Deconsecrating Modernism: Allegories of Regeneration in Brooks and Picasso | 35 |
4 | "Never Admit!": Colette and the Freedom of Paradox | 55 |
5 | Samson and Delilah Revisited: The Politics of Fashion in 1920s France | 65 |
6 | Painting the Perverse: Tamara de Lempicka and the Modern Woman Artist | 95 |
7 | Sonia Delaunay's Simulataneous Fashions and the Modern Woman | 109 |
8 | Looking Like a Lesbian: Portraiture and Sexual Identity in 1920s Paris | 127 |
9 | Djuna Barnes: Looking Like a Lesbian/Poet | 145 |
10 | Singular Plural: Collaborative Self-Images in Claude Cahun's Aveux non avenus | 155 |
11 | Something Hidden, Secret, and Eternal": Romaine Brooks, Radclyffe Hall, and the Lesbian Image in The Forge | 169 |
12 | Modern Dancers and African Amazons: Augusta Savage's Sculptures of Women, 1929-1930 | 183 |
13 | Lee Miller's Two Bodies | 199 |
14 | "Le Numero Barbette": Photography and the Politics of Embodiment in Interwar Paris | 223 |
App | The Napoleonic Civil Code of 1804 | 237 |
Bibliography | 241 | |
Notes on Contributors | 249 | |
Index | 251 |