The Mammoth Book of Vampire Stories by Women »

Featuring the only vampire short story by Anne Rice, the undisputed queen of vampire literature, and an autobiographical introduction by Ingrid Pitt, star of the films The Vampire Lovers and Countess Dracula, this Mammoth collection brings together thirty-four uncanny and erotic tales by women who have redefined the genre of vampire fiction. From classic stories of the undead by writers like Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to the work of such acclaimed contemporary authors as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlin R. Kiernan, and Pat Cadigan, this terrifying and tantalizing volume turns the conventions of vampire fiction on their head and inside out as it refashions, and revamps, Bram Stoker's urbane Count Dracula in smart, modern, sexy terms. Original and inventive, the tales in this anthology offer a wide and varied range of undead heroines and doomed heroes, from the tormented good to the unspeakably evil. At large among them in the gardens of literature's longest night are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins's "Vampire King of the Goth Chicks," Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington's age-old lovers Karl and Charlotte. In all, the quest continues—for blood to drink, for souls to steal, for life among the undead.

Publishers Weekly

Got garlic? Silver bullets? A handy stake or a cross? Vampire fans take heart. Despite naysayers who believe the genre has been literally sucked dry of all creativity and originality, British horror maven Jones has assembled an impressive volume packed with period classics and fresh takes before and after the 21st century. This toothsome anthology opens with Anne Rice's only vampire short story, "The Master of Rampling Gate," a traditional romantic piece from 1986; other selections meet, or surpass, this fine beginning. One of the best original tales is "Outfangthief," a stylish debut from Gala Blau, about lost children, a topic also brilliantly explored by Roberta Lannes's "Turkish Delight." Melanie Tem's "Lunch at Charon's" and Nancy Kilpatrick's "La Diente" feature biting social commentary. "Forever Amen," by Elizabeth Massie, provides a magical time-traveling twist. Outstanding reprints include "Jack," by Connie Willis, exploring WWII; "Aftermath," by Janet Berliner, a dark biblical piece; Kathryn Ptacek's "Butternut and Blood," a Civil War horror; and Chelsea Quinn Yarbro's elegant Saint-Germain tale, "A Question of Patronage." But the most exciting reprint has to be Mary Elizabeth Braddon's "Good Lady Ducayne," an 1896 novella published a year before Bram Stoker's Dracula. Apart from a few anemic originals and dubious reprints, this is a robust anthology sure to satisfy even the most jaded blood thirst. (Nov. 1) Forecast: The misleadingly cheesy jacket art may attract Buffy fans, who will discover the rich, literary tradition of which the teenage female vampire-fighters on the small screen form only the latest popular manifestation. Copyright 2001 Cahners Business Information.