Authors: Angela Carter
ISBN-13: 9780140256406, ISBN-10: 0140256407
Format: Paperback
Publisher: Penguin Group (USA)
Date Published: August 1996
Edition: Reprint
From early reflections on jazz and Japan, through vigorous refashionings of vampires and werewolves, to stunning snapshots of real-life outcasts and the glorious but tainted world of 'the rich and famous,' this complete collection of Angela Carter's short stories gathers together four published books"Fireworks," "The Bloody Chamber," "Black Venus," "American Ghosts" and "Old World Wonders"with her early work and uncollected stories. 'A strange, compelling book... an undoubted success.' The New York Times
Carter, a splendid British writer ( The Magic Toyshop ; Nights at the Circus ) all too little known here, has a real winner in this giddy tale of a highly eccentric British theatrical family. Nora and Dora Chance are twin sisters, former vaudeville dancers not beyond some high-stepping sex even at age 75, living in a once rundown but newly smart area of South London. Dora tells their tale, and her narrative voice is a triumph: deeply feminine, ribald, self-deprecating (on their birth: ``We came bursting out on a Monday morning, on a day of sunshine and high wind when the Zeppelins were falling''). Their mother, seduced by the legendary actor Sir Melchior Hazard, dies giving birth; the girls are brought up by the landlady, and eventually come to nurture one of Melchior's several cast-off wives. Meanwhile, his brother Peregrine, who once set off to wander the world. . . . The extravagant family comes together for a lavish 100th birthday party for British institution Sir Melchior, at which skeletons galore clatter out in full view of a national TV audience. The party is one magnificently unforgettable set-piece. The other is the filming, in Hollywood in the late '30s, of a terrible version of A Midsummer Night's Dream , by a culture-mad producer--one of the funniest and most deadly portraits of moviedom ever penned. But the whole book is comic writing of the highest order: spry, witty, earthy and oddly touching at times. It was a large success in Britain, and deserves to do as well here. (Jan.)
Introduction | ||
The Man Who Loved a Double Bass | 3 | |
A Very, Very Great Lady and Her Son at Home | 11 | |
A Victorian Fable (with Glossary) | 16 | |
A Souvenir of Japan | 27 | |
The Executioner's Beautiful Daughter | 35 | |
The Loves of Lady Purple | 41 | |
The Smile of Winter | 52 | |
Penetrating to the Heart of the Forest | 58 | |
Flesh and the Mirror | 68 | |
Master | 75 | |
Reflections | 81 | |
Elegy for a Freelance | 96 | |
The Bloody Chamber | 111 | |
The Courtship of Mr Lyon | 144 | |
The Tiger's Bride | 154 | |
Puss-in-Boots | 170 | |
The Erl-King | 186 | |
The Snow Child | 193 | |
The Lady of the House of Love | 195 | |
The Werewolf | 210 | |
The Company of Wolves | 212 | |
Wolf-Alice | 221 | |
Black Venus | 231 | |
The Kiss | 245 | |
Our Lady of the Massacre | 248 | |
The Cabinet of Edgar Allan Poe | 262 | |
Overture and Incidental Music for A Midsummer Night's Dream | 273 | |
Peter and the Wolf | 284 | |
The Kitchen Child | 292 | |
The Fall River Axe Murders | 300 | |
Lizzie's Tiger | 321 | |
John Ford's 'Tis Pity She's a Whore | 332 | |
Gun for the Devil | 349 | |
The Merchant of Shadows | 363 | |
The Ghost Ships | 376 | |
In Pantoland | 382 | |
Ashputtle or The Mother's Ghost | 390 | |
Alice in Prague or The Curious Room | 397 | |
Impressions: The Wrightsman Magdalene | 409 | |
The Scarlet House | 417 | |
The Snow Pavilion | 429 | |
The Quilt Maker | 444 | |
Appendix: Afterword to Fireworks | 459 | |
First Publications | 461 |