The Last Day of a Condemned Man »

"If a writer wrote merely for his time, I would have to break my pen and throw it away," the larger-than-life Victor Hugo once confessed. Indeed, this 19th-century French master's works -- from the epic drama Les Misérables to the classic unrequited love story The Hunchback of Notre Dame -- have spanned the ages, their themes of morality and redemption ever applicable to our times.

In this profoundly moving classic by the author of Les Misérables, a condemned man facing the guillotine looks back on his life and writes of his anguish inside prison walls.

Kirkus Reviews

This impassioned early (1829) work, which depicts the "six-week death agony and . . . day-long death rattle" of a condemned prisoner awaiting execution, isn't so much fiction as it is a broadside against the barbarity of the guillotine. (The text is accompanied by a brief satirical playlet in which bureaucrats and aristocrats denounce its author as a troublemaker.) There are moments when the plight of Hugo's nameless protagonist and narrator stirs faint anticipatory echoes of (the later) Les Misérables. But the novella's awkward swings between high emotion and jejune sociological comment and its profusion of accusatory rhetorical questions make it of only minimal literary interest.