The Inn at Eagle Point (Chesapeake Shores Series #1) » (Original)

With her roots firmly planted in the South, Sherryl Woods has written many of her more than 100 books in that distinctive setting, whether her home state of Virginia, her adopted state, Florida, or her much-adored South Carolina. She's also especially partial to small towns, wherever they may be. A member of Novelists Inc., Sisters in Crime and Romance Writers of America, Sherryl divides her time between her childhood summer home overlooking the Potomac River in Colonial Beach, Virginia, and her oceanfront home, with its lighthouse view, in Key Biscayne, Florida.

It’s been years since Abby O’Brien Winters set foot in Chesapeake Shores. The Maryland town her father built has too many sad memories and Abby too few spare moments, thanks to her demanding Wall Street career, the crumbling of her marriage and energetic twin daughters. Then one panicked phone call from her youngest sister brings her racing back home to protect Jess’s dream of renovating the charming Inn at Eagle Point.

But saving the inn from foreclosure means dealing not only with her own fractured family, but also with Trace Riley, the man Abby left ten years ago. Trace can be a roadblock to her plans…or proof that second chances happen in the most unexpected ways.

Publishers Weekly

Launching the Chesapeake Shores series, Woods (Welcome to Serenity) creates an engrossing but overly neat family drama. Divorced financial whiz Abby O' Brien Winters takes a short trip to her hometown of Chesapeake Bay at the behest of her youngest sister, Jess. When Abby realizes the extent of Jess's money troubles, she agrees to prolong her visit, even if it means seeing Trace, an ex-boyfriend who still carries a torch for her. As Abby attempts to help Jess salvage her finances and open an inn, she struggles with her quarreling family, Trace's irresistible attentions and a nasty ex-husband who suddenly wants full custody of their twins. Abby's relationship with Trace is full of chemistry, but it lacks conviction and depth, and Woods relies too heavily on contrivances to keep the story moving forward. (Apr.)

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