The Guy Not Taken »

Jennifer Weiner wowed critics and readers with Good in Bed -- a savvy debut that took "chick lit" to new heights. Fans fell in love with the heroine, Cannie -- a zaftig entertainment journalist who could give any of the Sex and the City girls a run for their stilettos. When In Her Shoes was adapted into a Hollywood hit, and Goodnight, Nobody hit the bestseller list, Weiner officially transcended One Hit Wonder status.

Jennifer Weiner's talent shines like never before in this collection of short stories, following the tender, often hilarious, progress of love and relationships over the course of a lifetime. We meet Marlie Davidow, home alone with her new baby late one night, when she wanders onto her ex's online wedding registry and wonders what if she had wound up with the guy not taken. We find Jessica Norton listing her beloved river-view apartment in the hope of winning her broker's heart. And we follow an unlikely friendship between two very different new mothers, and the choices that bring them together-and pull them apart. The Guy Not Taken demonstrates Weiner's amazing ability to create characters who "feel like they could be your best friend" (Janet Maslin) and to find hope and humor, longing and love in the hidden comers of our common experiences.

Publishers Weekly

This collection of 11 stories written over the past 15 years reads like a series of studies for Weiner's larger chick lit portraits. As in the novels (Goodnight Nobody; Good in Bed), smart, acerbic, 30-something women battle dating damage and broken childhoods (absent fathers in particular) in order to build their own families-or to convince themselves they still want to. In "The Wedding Bed," a new bride realizes, "I thought that every story I would tell for the rest of my life will somehow be about this: about the man who left and never came back." "Mother's Hour" tightly focuses on new toddler trauma as experienced by first-time mothers and shows how motherhood can be another conduit for woman-to-woman envy and suspicion. In "Swim," sometime scriptwriter and obsessive swimmer Ruth, her face scarred from the car accident in which her parents died, must eschew the verbal "edge" she finds so compelling in men in order to find love. One roots for Weiner's characters as they come to terms-and in some cases, heal-from disappointment and neglect. (Sept.) Copyright 2006 Reed Business Information.

Just Desserts     1
Travels with Nicki     29
The Wedding Bed     53
Swim     77
Good Men     115
Buyer's Market     135
The Guy Not Taken     171
The Mother's Hour     199
Oranges from Florida     225
Tour of Duty     243
Dora on the Beach     257
Acknowledgments     281
Author's Notes on Stories     285
A Conversation with Jennifer Weiner     293
Questions and Topics for Discussion     299