The Greatest Story Ever Sold: The Decline and Fall of Truth in Bush's America » (Bargain)

Frank Rich became a New York Times op-ed columnist in 1994 after serving for thirteen years as the newspaper's chief drama critic. He has written about culture and politics for many publications and was on the staff of Time, the New York Post, and New Times magazine after starting his career as a founding editor of The Richmond Mercury, a weekly newspaper, in the early 1970s. He is the author of Ghost Light, a childhood memoir; Hot Seat: Theater Criticism for The New York Times, 1980- 1993; and The Theatre Art of Boris Aronson, coauthored with Lisa Aronson. A native of Washington, D.C., he lives in Manhattan with his wife, the author Alex Witchel, who is a reporter for The New York Times.

New York Times op-ed columnist Frank Rich examines the trail of fictions manufactured by the Bush administration from 9/11 to Hurricane Katrina, exposing the most brilliant spin campaign ever waged

When America was attacked on 9/11, its citizens almost unanimously rallied behind its new, untested president as he went to war. What they didn't know at the time was that the Bush administration's highest priority was not to vanquish Al Qaeda but to consolidate its own power at any cost. It was a mission that could be accomplished only by a propaganda presidency in which reality was steadily replaced by a scenario of the White House's own invention---and such was that scenario's devious brilliance that it fashioned a second war against an enemy that did not attack America on 9/11, intimidated the Democrats into incoherence and impotence, and turned a presidential election into an irrelevant referendum on macho imagery and same-sex marriage.

As only he can, acclaimed New York Times columnist Frank Rich delivers a step-by-step chronicle of how skillfully the White House built its house of cards and how the institutions that should have exposed these fictions, the mainstream news media, were too often left powerless by the administration's relentless attack machine, their own post-9/11 timidity, and an unending parade of self-inflicted scandals (typified by those at The New York Times). Demonstrating the candor and conviction that have made him one of our most trusted and incisive public voices, Rich brilliantly and meticulously illuminates the White House's disturbing love affair with "truthiness," and the ways in which a bungled war, a seemingly obscure Washington leak, and adevastating hurricane at long last revealed the man-behind-the-curtain and the story that had so effectively been sold to the nation, as god-given patriotic fact.

The Washington Post

Many people who might have supported the Iraq war under different circumstances remained intractably opposed because they believed Bush hadn't proven that Baghdad was making nuclear weapons or working with al-Qaeda. They held this view because, among other reasons, in the months and years after 9/11, they were reading the smart, critical and blessedly spin-proof writings of Frank Rich.
&3151;David Greenberg

Introduction     1
Making the Sale
"Home to the Heartland"     7
"Dead or alive"     21
"I don't think anybody could have predicted..."     42
"You don't introduce new products in August"     56
"Mission Accomplished"     73
Buyer's Remorse
"We found the weapons of mass destruction"     95
"Slam dunk"     112
"Reporting for duty"     132
"When we act, we create our own reality"     153
"I don't think anybody anticipated..."     177
Epilogue: The Greatest Story Ever Sold     206
What the White House Knew and When It Knew It: Time Lines of the Selling of the War     227
Acknowledgments     311
Notes     313
Index     331