The Gates »

Fans of John Connolly's unique, atmospheric novels have come to know that the cases former NYPD detective Charlie Parker sets out to solve are haunting -- literally haunting.

Young Samuel Johnson and his dachshund, Boswell, are trying to show initiative by trick-or-treating a full three days before Halloween, which is how they come to witness strange goings-on at 666 Crowley Road. The Abernathys don’t mean any harm by their flirtation with the underworld, but when they unknowingly call forth Satan himself, they create a gap in the universe, a gap through which a pair of enormous gates is visible. The gates to Hell. And there are some pretty terrifying beings just itching to get out. . . .

Bursting with imagination and impossible to put down, New York Times bestselling author John Connolly’s "wholly original" (People) and "refreshing" (San Francisco Chronicle) novel is about the pull between good and evil, physics and fantasy. It is about a quirky and eccentric boy, who is impossible not to love, and the unlikely cast of characters who give him the strength to stand up to a demonic power.

Publishers Weekly

In this frothy fantasy thriller from bestseller Connolly (The Book of Lost Things), 11-year-old Samuel Johnson witnesses an inadvertent intersection of science and the supernatural while trick-or-treating at the Abernathy household in Biddlecombe, England. Something nasty reaches through an atomically engineered portal to Hades and possesses four suburban sorcerers. From that point on, Samuel finds himself battling hordes of invading demons and desperately trying to convince disbelieving adults that the impending end of the world is not a fancy of his overactive imagination. Connolly plays this potentially spooky scenario strictly for laughs, larding the narrative with droll jokes, humorous asides and the slapstick pratfalls of Nurd, an amusingly incompetent subdemon whom Samuel ultimately befriends. Though billed as “an adult book for children,” this light fantasy will strike even adult readers as divertingly whimsical. (Oct.)