Authors: Thomas Waugh, Waugh, John Greyson
ISBN-13: 9780822324683, ISBN-10: 0822324687
Format: Paperback
Publisher: Duke University Press
Date Published: January 2000
Edition: (Non-applicable)
Thomas Waugh is Professor of Film Studies at the Mel Hoppenheim School of Cinema at Concordia University. In addition to his many published articles and reviews, he is the author of Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall.
John Greyson is a prizewinning filmmaker whose work includes the features Urinal, Zero Patience, Lilies, and Uncut, as well as numerous short videos.
A selection of writings on gay and lesbian cinema by one of the pioneers of queer film criticism.
Witty, ironic, and always passionate. . . . An inspiration to countless would-be gay film journalist and an invaluable study source for queer film buffs.
Foreword | ||
Acknowledgments | ||
Introduction | 1 | |
Films by Gays for Gays: A Very Natural Thing, Word Is Out, and The Naked Civil Servant (1977) | 14 | |
Gays, Straights, Film, and the Left: A Dialogue (with Chuck Kleinhans) (1977) | 34 | |
Rainer Werner Fassbinder (1976-77) | 43 | |
A Fag-Spotter's Guide to Eisenstein (1977) | 59 | |
Derek Jarman's Sebastiane (1978) | 69 | |
Medical Thrills: Born a Man...Let Me Die a Woman (1978-79) | 72 | |
Marnau: The Films Behind the Man (1979) | 74 | |
An Unromantic Fiction: I'm Not from Here, by Harvey Marks (1979) | 86 | |
The Gay Nineties, the Gay Seventies: Samperi's Ernesto and von Praunheim's Army of Lovers or Revolt of the Perverts (1979) | 88 | |
Montgomery Clift Biographies: Stars and Sex (1979-80) | 93 | |
Gay Cinema, Slick vs. Real: Chant d'amour, Army of Lovers, We Were One Man (1980) | 101 | |
Nighthawks, by Ron Peck and Paul Hallam (1980) | 109 | |
A Saturday Night Surprise: Burin des Roziers's Blue Jeans (1980) | 114 | |
Caligula (1981) | 117 | |
Taxis and Toilets: Ripploh and His Brothers (1981) | 122 | |
Bright Lights in the Night: Pasolini, Schroeter, and Others (1981) | 126 | |
Patty Duke and Tasteful Dykes (1982) | 131 | |
Two Strong Entries, One Dramatic Exit: Luc ou la part des choses, Another Way, and Querelle (1982) | 135 | |
Hollywood's Change of Heart? (Porky's and The Road Warrior) (1982) | 141 | |
Dreams, Cruises, and Cuddles in Tel Aviv: Amos Gutmann's Nagua (1983) | 145 | |
Hauling an Old Corpse Out of Hitchcock's Trunk: Rope (1983) | 148 | |
Sex beyond Neon: Third World Gay Films? (1985) | 151 | |
Fassbinder Fiction: A New Biography (1986) | 156 | |
Ashes and Diamonds in the Year of the Queer: Decline of the American Empire, Anne Trister, A Virus Knows No Morals, and Man of Ashes (1986) | 161 | |
The Kiss of the Maricon, or Gay Imagery in Latin American Cinema (1986-87) | 172 | |
Laws of Desire: Maurice, Law of Desire, and Vera (1987) | 187 | |
Two Great Gay Filmmakers: Hello and Good-bye (1988) | 195 | |
Beauty and the Beast, Take Two (1988) | 208 | |
Whipping Up a Cinema (1989) | 214 | |
Erotic Self-Images in the Gay Male AIDS Melodrama (1988, 1992) | 218 | |
In Memoriam: Vito Russo, 1946-1990 (1991) | 235 | |
We're Talking, Vulva, or, My Body Is Not a Metaphor (1995, 1999) | 237 | |
Walking on Tippy Toes: Lesbian and Gay Liberation Documentary of the Post-Stonewall Period 1969-1984 (1995-97) | 246 | |
Archeology and Censorship (1997) | 272 | |
Selected Additional Works | 297 | |
Index | 299 |