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The Enemy at the Gate: Habsburgs, Ottomans, and the Battle for Europe »

Book cover image of The Enemy at the Gate: Habsburgs, Ottomans, and the Battle for Europe by Andrew Wheatcroft

Authors: Andrew Wheatcroft
ISBN-13: 9780465013746, ISBN-10: 0465013740
Format: Hardcover
Publisher: Basic Books
Date Published: April 2009
Edition: (Non-applicable)

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Author Biography: Andrew Wheatcroft

Andrew Wheatcroft is Professor of International Publishing and Communication and Director of the Centre for Publishing Studies at the University of Stirling. He is the author of Infidels, The Habsburgs, and The Ottomans, and has been researching the material for The Enemy at the Gate for more than twenty years. He lives in Scotland.

Book Synopsis

In 1683, an Ottoman army that stretched from horizon to horizon set out to seize the “Golden Apple,” as Turks referred to Vienna. The ensuing siege pitted battle-hardened Janissaries wielding seventeenth-century grenades against Habsburg armies, widely feared for their savagery. The walls of Vienna bristled with guns as the besieging Ottoman host launched bombs, fired cannons, and showered the populace with arrows during the battle for Christianity’s bulwark. Each side was sustained by the hatred of its age-old enemy, certain that victory would be won by the grace of God.

The Great Siege of Vienna is the centerpiece for historian Andrew Wheatcroft’s richly drawn portrait of the centuries-long rivalry between the Ottoman and Habsburg empires for control of the European continent. A gripping work by a master historian, The Enemy at the Gate offers a timely examination of an epic clash of civilizations.

The New York Times - Eric Ormsby

As Andrew Wheatcroft brilliantly shows in The Enemy at the Gate, the skirmishes and the pitched battles that raged for centuries between Habsburgs and Ottomans, and their numerous vassals on both sides, represented not so much a "clash of civilizations" as a collision of empires…Wheatcroft, the author of several earlier books on both Habsburgs and Ottomans, states that he set out here to portray the Ottoman "face of battle," borrowing a phrase from the classic work by John Keegan, and in this he succeeds; his narrative is thrilling as well as thoughtful, a rare combination.

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