The Devil's Footprints » (Reprint)

JOHN BURNSIDE’s five works of fiction and eleven collections of poetry have been published in the U.K. The Asylum Dance won the Whitbread Poetry Award, and The Light Trap was short-listed for the T. S. Eliot Prize. His acclaimed memoir, A Lie About My Father, was published in the United States in May 2007; The Devil’s Footprints is his first novel to be published in this country.

Michael Gardiner has lived in Coldhaven all his life yet still feels like an outsider. Married but rather distant from his wife, he reads in the local paper that a school friend, Moira Birnie, has killed herself and her two sons by setting their car on fire; but she has spared her 14-year-old daughter Hazel. Michael uneasily recalls his past connections to Moira. As teenagers, Michael and Moira had a brief romance, yet more troubling to Michael is the fact that he was responsible for the death of Moira’s brother, the town bully. In the wake of the tragedy, Michael becomes obsessed with Hazel, who is just old enough to be his daughter. Aware of his obsession, Hazel convinces Michael to take her away from the village and her father, an abusive and violent man.

Setting his story against the untamed Scottish landscape, John Burnside has written a chilling novel that explores the elemental forces of everyday life: love, fear, grief, and the hope of redemption. In its ability to evoke and exploit our most primal fears, The Devil’s Footprints prompts comparisons to the best of Stephen King. In both language and imagery, it is a novel of mysterious beauty, written with the clarity and power of a folktale.

Publishers Weekly

In Burnside's first novel since his acclaimed memoir A Lie About My Father, random acts of cruelty unearth a town's dark secrets. In the charged, superstitious Scottish village of Coldhaven, it's a year after 32-year-old Moira Birnie has killed herself and her two sons-but spared her 14-year-old daughter, Hazel. Like many in town, photographer's son Michael Gardiner, who narrates, has heard the story: a heavily drinking Moira thought her abusive husband was the devil when she drugged her sons and set her car on fire. The deaths remind Michael of his youthful, class-crossed affair with Moira, as well as his encounters with her bullying brother, Malcolm. With his own marriage crumbling and his sanity in doubt, Michael obsesses about Hazel, who he thinks may be his daughter, and the confrontation that ensues between the two changes them both. The plot doesn't hold together, but Burnside creates an intense, Stephen King-like atmosphere around Michael's observations and memories, and the complex cast's secrets and grudges. (Jan.)