Authors: Martin Clayton (Editor), Richard Middleton, Trevor Herbert, Richard Middleton (Editor), Trevor Herbert
ISBN-13: 9780415938457, ISBN-10: 0415938457
Format: Paperback
Publisher: Taylor & Francis, Inc.
Date Published: March 2003
Edition: 1st Edition
Martin Clayton is visiting Professor of Ethnomusicology at the University of Chicago, and Lecturer in Ethnomusciology at the Open University. Richard Middletown is Professor of Music at the University of Newcastle. Trevor Herbert of Professor of Music at the Open University.
The Cultural Study of Music is an anthology of new writings that serves as a basic textbook on music and culture. Increasingly, music is being studied as it relates to specific culturesnot only by ethnomusicologists, but by traditional musicologists as well. Drawing on writers from music, anthropology, sociology, and the related fields, the book both defines the fieldi.e., "What is the relation between music and culture?"and then presents case studies of particular issues in world musics.
Introduction | ||
Music Studies and the Idea of Culture | 1 | |
1 | Music and Biocultural Evolution | 19 |
2 | Musicology, Anthropology, History | 31 |
3 | Music and Culture: Historiographies of Disjuncture | 45 |
4 | Comparing Music, Comparing Musicology | 57 |
5 | Music and Social Categories | 69 |
6 | Music and Mediation: Toward a New Sociology of Music | 80 |
7 | Music and Everyday Life | 92 |
8 | Music, Culture, and Creativity | 102 |
9 | Music and Psychology | 113 |
10 | Subjectivity Rampant! Music, Hermeneutics, and History | 124 |
11 | Historical Musicology: Is It Still Possible? | 136 |
12 | Social History and Music History | 146 |
13 | Musical Autonomy Revisited | 159 |
14 | Textual Analysis or Thick Description? | 171 |
15 | Music, Experience, and the Anthropology of Emotion | 181 |
16 | Musical Materials, Perception, and Listening | 193 |
17 | Music as Performance | 204 |
18 | Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin de Siecle | 215 |
19 | Contesting Difference: A Critique of Africanist Ethnomusicology | 227 |
20 | What a Difference a Name Makes: Two Instances of African-American Popular Music | 238 |
21 | Locating the People: Music and the Popular | 251 |
22 | Music Education, Cultural Capital, and Social Group Identity | 263 |
23 | The Cultural Study of Musical Instruments | 274 |
24 | The Destiny of "Diaspora" in Ethnomusicology | 284 |
25 | Globalization and the Politics of World Music | 297 |
26 | Music and the Market: The Economics of Music in the Modern World | 309 |
References | 321 | |
Notes on Contributors | 355 | |
Index | 361 |