Authors: Kim Dong Hwa, Lauren Na
ISBN-13: 9781596434608, ISBN-10: 1596434600
Format: Paperback
Publisher: First Second
Date Published: September 2009
Edition: (Non-applicable)
Kim Dong Hwa is a widely revered Korean comic artist. Since his debut in 1975 he has become a mainstay of Korean manhwa (comics), best known for his tender stories and uncanny ability to write from a profoundly feminine perspective.
A celebration of the triumph of true love
As Ehwa grew from a girl to a young woman in The Color of Earth and The Color of Water, she began to understand and experience love and relationships, with her mother as a model and confidante. Now, in the heartwarming conclusion to this lyrically written and delicately drawn trilogy, Ehwa's true love comes at last, and as her mother looks on, she takes the final steps towards becoming an adult.
In the tradition of My Antonia and A Tree Grows in Brooklyn, from the pen of the renowned Korean manhwa creator Kim Dong Hwa, comes a girl's coming of age story, set in the vibrant pastoral landscape of Korea.
Seventeen-year-old Ehwa bids good-bye to the man she wants to marry as the final volume of this delicate and poetic Korean historical trilogy opens. Her mother is simultaneously full of angry concern and understanding sympathy—each woman must wait, tending flowers and hoping to see their loves again. It's fascinating to see such a female-centered generational story, but it's a shame that, due to the time period, the women can take no action. They are passive, waiting, because “that is the heart of a woman”; their lives are incomplete without a man. Natural metaphors and seasonal images give the story texture: trees are undressed; male organs are chili peppers; and young men are butterflies flitting among flowers. Village girls see naked neighbors; men who aspire too much in their love are beaten to death; and marriage proposals come to the prettiest. The art is as minimally poetic as the content. Panels are spare, with plenty of white space, and the eyes are most often stacks of horizontal lines, making the characters seem thoughtful or as though they're looking sidelong at life. (Sept.)