The City and the City »

China Miéville is the author of King Rat; Perdido Street Station, which won the Arthur C. Clarke Award and the British Fantasy Award; The Scar, which won the Locus Award and the British Fantasy Award; Iron Council, which won the Locus Award and the Arthur C. Clarke Award; and a collection of short stories, Looking for Jake. He lives and works in London. Un Lun Dun is his first book for younger readers.

New York Times bestselling author China Miéville delivers his most accomplished novel yet, an existential thriller set in a city unlike any other–real or imagined.

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives.

What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities.

Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

The Barnes & Noble Review

The City & the City is a stand-alone tale, set outside the cosmos for which Miéville has received the most acclaim, his Bas-Lag universe. This earlier series illustrated -- and in fact pretty much defined -- the type of fiction known as "New Weird."

Noted for its sense of radical estrangement and in-your-face bizarreness, the New Weird always faces a couple of hurdles in its conquest of the reader. First, too much oddity begins, paradoxically, to pall and seem stale. When all is fantastic, nothing is. Secondly, each bit of outrageousness demands to be topped, resulting in fiction that gets progressively louder and louder, within each book and from book to book inside the genre.

Interstitial fiction, however, salts naturalism and verisimilitude with a calculated and unpredictable leavening of the unreal, producing a continually oscillating mix of homey and alien that is more subtle and insidious. (But which also risks seeming wan and twee at its worst.)