The Bottle Imp »

The Victorian poet and novelist Robert Louis Stevenson once said, "Don't judge each day by the harvest you reap, but by the seeds you plant." The author of the magical A Child's Garden of Verses and the chilling The Strange Case of Dr. Jekyll and Mr. Hyde, Stevenson indeed planted powerful literary seeds -- that grew into undisputed classics.

Robert Louis (Balfour) Stevenson (1850-1894), was a Scottish novelist, poet, and travel writer, and a leading representative of Neo-romanticism in English literature. He was greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling and Vladimir Nabokov. Most modernist writers dismissed him, however, because he was popular and did not write within their narrow definition of literature. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the Western canon. Stevenson was a celebrity in his own time, but with the rise of modern literature after World War I, he was seen for much of the 20th century as a writer of the second class, relegated to children's literature and horror genres. His works include: An Inland Voyage (1878), Familiar Studies of Men and Books (1882), New Arabian Nights (1882), Kidnapped (1886), The Merry Men and Other Tales and Fables (1887), Memories and Portraits (1887), Memoir of Fleeming Jenkin (1887), The Black Arrow (1888), and Master of Ballantrae: A Winter's Tale (1889).

Publishers Weekly

In the later years of his life, the Scottish-born Stevenson and his American wife moved to Samoa, where this tale was originally published, in Samoan, in 1891. Offering an engrossing spin on a time-honored theme-the risky business of making a pact with the devil-this short story is a radiant jewel. It recounts the mercurial lot of Keawe, a Hawaiian who purchases a bottle inhabited by an imp capable of granting any wish. Yet this enticing object holds a dark curse: anyone who dies with it in his possession will burn forever in hell. And here's the sticky rub: one can only sell the bottle for less than its purchase price. Keawe rids himself of the bottle after acquiring a palatial home. But when he needs it again to ensure his happiness with a newfound love, its cost is, chillingly, one cent, and the responsibility of ownership becomes a good deal more complex. Stevenson throws unexpected curves and laces his narrative with memorable imagery and canny understatement. Blending period and contemporary elements, Mair's warm, grainy paintings hold more than a hint of Gauguin's renderings of the tropics' lush vegetation and gleaming blue seas and skies. Ages 8-12. (Feb.)