The Big Blowdown » (Revised)

A devotee of the hard-boiled school of detective fiction, George P. Pelecanos has honed his street-smart style with a series of detective thrillers all set in the seamier corners of the D.C./Maryland/Virginia triangle.

For Joey Recevo and Pete Karras, two kids from one of Washington's rougher neighborhoods, the easiest work to find after the War is all criminal—-providing a little muscle for a local boss. But Karris is soft on his fellow immigrants, and the boss can't let his mob get soft, so one of his boys gives Karras a painful lesson.

Three years later, it's the same mob that figures big Nick Stefanos's grill needs protection—-and this decision will once again bring Joey and Pete face-to-face. In this final confrontation, the two of them will find the meaning of friendship, the heart of honor, and the cost of both.

Powerfully told, elegantly wrought, The Big Blowdown is a knockout.

Publishers Weekly

After several well-received Nick Stefanos crime novels, (A Firing Offense; Nick's Trip; Down by the River Where the Dead Men Go), Pelecanos goes for broke with a gangster epic that chronicles 25 turbulent years of immigrant life in post-WWII Washington, D.C. He rises above the in-built predictability of the material to unleash a charged page-turner liberally doused with sex, death and irony. Pete Karras might be a confirmed skirt-chaser, but he's way too soft on the guys he's being paid to shake down. As a penalty for shirking his duty, he gets his legs broken and ends up limping through the streets he loves, working the counter of a diner owned by Nick Stefanos (the father, presumably, of the Nick who stars in Pelecanos's earlier books). When a kid shows up looking for a lost sister who's addicted to heroin and whoring to support her habit, Pete finds himself a cause. Whores, especially well-stacked ones, are being slit open in the city, and Karras's childhood pal, Jimmy Boyle, now a beat cop, is anxious for a collar. Joey Recevo, who grew up on the streets with Karras and Boyle, is still a shakedown artist, and now his next target is Nick's place. There isn't much in the plot that truthfully surprises, but the tale of these three friends and how their loyalties are tested is feverishly alive. Pelecanos lovingly recreates old Washington with small details about soft-drink brands, finned cars and cherished smokes. The ending is a haze of gunsmoke that drifts away to leave a mixed tableau of heroism and futility. With stylistic panache and forceful conviction, Pelecanos delivers a darkly powerful story of the American city. (May)