The Best American Noir of the Century »

OTTO PENZLER is the founder of the Mysterious Bookshop and Mysterious Press.

James Ellroy was born in Los Angeles in 1948. His L.A. Quartet novels-The Black Dahlia, The Big Nowhere, L.A. Confidential, and White Jazz-were international bestsellers. His most recent book is Blood's a Rover.

In his introduction to the The Best American Noir of the Century, James Ellroy writes, “noir is the most scrutinized offshoot of the hard-boiled school of fiction. It’s the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.” Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.  

James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing—1910–2010—to find this treasure trove of thirty-nine stories. From noir’s twenties-era infancy come gems like James M. Cain’s “Pastorale,” and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

Publishers Weekly

Surprisingly, 20 of the 39 well-chosen stories published between 1923 and 2007 in this impressive crime anthology date to the last two decades, which may sound counterintuitive to casual readers who associate noir with the 1940s and 1950s. All the contributors excel at showing the omnipresence of the dark side of humanity in many different times and locales. In addition to names synonymous with noir such as Cornell Woolrich and Jim Thompson, Ellroy (Blood's a Rover) and Penzler (The Best American Mystery Stories) offer depressing fare from writers better known for other work, like David Morrell, whose first published story, "The Dripping," about the disappearance of a man's wife and daughter, is one of the book's best. Lesser-known authors also distinguish themselves, like Christopher Coake, whose reverse chronology in "All Through the House" serves to heighten the suspense rather than dissipate it. (Oct.)