The Best American Crime Reporting 2007 »

Hailed by Patricia Cornwell as "one of the most promising forces in crime fiction," former head of the Manhattan District Attorney's Sex Crimes Unit Linda Fairstein has hooked readers with her intense mystery series featuring assistant D.A. -- and Fairstein's alter ego -- Alex Cooper.

Thieves, liars, killers, and conspirators—it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2007 brings together the murderers and muscle men, the masterminds, and the mysteries and missteps that make for brilliant stories, told by the aces of the true crime genre. This latest addition to the highly acclaimed series features guest editor Linda Fairstein, the bestselling crime novelist and former chief prosecutor of the Manhattan District Attorney's Office's pioneering Special Victims' Unit.

Publishers Weekly

Fans of crime reporting will devour this diverse collection, featuring 15 of the year's best crime stories, written by noted journalists such as Tom Junod (Esquire), Sean Flynn (GQ) and Steve Fishman (New York). Articles (and the crimes they detail) vary widely, one of the book's chief strengths; covering the darkest, most unspeakable crimes is not one of the entry qualifications (though they're certainly represented). One of the brightest pieces, by the Boston Globe Magazine's Neil Swidey, covers the astonishing embezzlement of nearly $9 million by a construction company temp. Several articles examine the possibility of reformation and redemption: Atlantamagazine's Steve Fennessy reports on the perpetrator of a horrifying kidnapping who is now a physician dedicated to helping the underserved, and the late-coming faith of David Berkowitz-the infamous Son of Sam-is cunningly but compassionately examined by Fishman. The uniform quality of research and writing in this collection is startling; stories are so fully fleshed and detail is so rich, it's often hard to believe they're nonfiction. For example, Douglas Preston's article for the Atlantic Monthlycatches the revealing moments of his subject ("The Monster of Florence") like a gem catching light: "He sketched his thoughts-I later learned it was a habit of his-the pencil cutting and darting across the paper, making arrows and circles and boxes and dotted lines." Fans of true crime will want to make this book last, but will likely have trouble putting it aside for even a moment. (Sept.)