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Television: The Critical View » (7th Edition)

Book cover image of Television: The Critical View by Horace Newcomb

Authors: Horace Newcomb
ISBN-13: 9780195301168, ISBN-10: 0195301161
Format: Paperback
Publisher: Oxford University Press, USA
Date Published: January 2006
Edition: 7th Edition

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Author Biography: Horace Newcomb

Horace Newcomb holds the Lambdin Key Chair for the Peabody Awards in the Grady College of Journalism and Mass Communications at the University of Georgia. He is the editor of two editions of the Museum of Broadcast Communications Encyclopedia of Television (1997, 2004).

Book Synopsis

First published in 1976, Television: The Critical View set the foundation for the serious study of television, becoming the gold standard of anthologies in the field. With this seventh edition, editor Horace Newcomb has moved the book from one merely intended to legitimize the critical inquiry of television to a text that reflects how complex critical approaches to television have become today. Comprised of virtually all new selections that deal with both classic and contemporary programming, the seventh edition adds new material on television history, the reception context of television, and international programming such as Chinese soap operas and Brazilian telenovelas. Television: The Critical View remains a well established and critically acclaimed text essential for courses in critical studies, communication studies, cultural studies, media history, television criticism, television history, and broadcasting.

Table of Contents

Television and the present climate of criticism1
'Too many kids and old ladles' : quality demographics and 1960s U.S. television15
Negotiating civil rights in prime time : a production and reception history of CBS's East Side/West Side37
Innovating women's television in local and national networks : Ruth Lyons and Arlene Francis60
Ethnic masculinity and early television's vaudeo star85
Identity, power, and local television : African Americans, organized labor, and UHF-TV in Chicago, 1962-1968106
Toward a paradigm for media production research : behind the scenes at General Hospital133
Translating trek : rewriting an American icon in a Francophone context150
Double vision : large-screen video display and live sports spectacle185
Erasing blackness : the media construction of 'race' in Mi Familia, the first Puerto Rican situation comedy with a black family207
Textual (im)possibilities in the U.S. post-network era : negotiating production and promotion processes on lifetime's Any Day Now273
'Ah, yes, I remember it well' : memory and queer culture in Will and Grace249
Cartoon realism : genre mixing and the cultural life of The Simpsons?272
The West Wing's prime-time presidentiality : mimesis and catharsis in a postmodern romance292
Sex and the city and consumer culture : remediating postfeminist drama315
Girls rule! : gender, feminism, and Nickelodeon332
Soap opera in China : the transnational politics of visuality, sexuality, and masculinity353
McTV : understanding the global popularity of television formats375
Sounds real : music and documentary397
From insiders to outsiders : the advent of new political television408
Television melodrama438
Components of a viewing culture455
Big Brother : the real audience471
Telenovela reception in rural Brazil : gendered readings and sexual mores486
Sex appeal and cultural liberty : a feminist inquiry into MTV India507
To have and to hold : the video collector's relationship with an ethereal medium530
'This is not al dente' : The Sopranos and the new meaning of 'television'561
The family racket : AOL Time Warner, HBO, The Sopranos, and the construction of a quality brand579
Television as transmodern teaching595
'Democracy as defeat' : the impotence of arguments for public service broadcasting605
A response to Elizabeth Jacka's 'democracy as defeat'618
Entertainment wars : television culture after 9/11625
Regulation, media literacy, and media civics654

Subjects