Authors: Horace Newcomb
ISBN-13: 9780195301168, ISBN-10: 0195301161
Format: Paperback
Publisher: Oxford University Press, USA
Date Published: January 2006
Edition: 7th Edition
Horace Newcomb holds the Lambdin Key Chair for the Peabody Awards in the Grady College of Journalism and Mass Communications at the University of Georgia. He is the editor of two editions of the Museum of Broadcast Communications Encyclopedia of Television (1997, 2004).
First published in 1976, Television: The Critical View set the foundation for the serious study of television, becoming the gold standard of anthologies in the field. With this seventh edition, editor Horace Newcomb has moved the book from one merely intended to legitimize the critical inquiry of television to a text that reflects how complex critical approaches to television have become today. Comprised of virtually all new selections that deal with both classic and contemporary programming, the seventh edition adds new material on television history, the reception context of television, and international programming such as Chinese soap operas and Brazilian telenovelas. Television: The Critical View remains a well established and critically acclaimed text essential for courses in critical studies, communication studies, cultural studies, media history, television criticism, television history, and broadcasting.
Television and the present climate of criticism | 1 | |
'Too many kids and old ladles' : quality demographics and 1960s U.S. television | 15 | |
Negotiating civil rights in prime time : a production and reception history of CBS's East Side/West Side | 37 | |
Innovating women's television in local and national networks : Ruth Lyons and Arlene Francis | 60 | |
Ethnic masculinity and early television's vaudeo star | 85 | |
Identity, power, and local television : African Americans, organized labor, and UHF-TV in Chicago, 1962-1968 | 106 | |
Toward a paradigm for media production research : behind the scenes at General Hospital | 133 | |
Translating trek : rewriting an American icon in a Francophone context | 150 | |
Double vision : large-screen video display and live sports spectacle | 185 | |
Erasing blackness : the media construction of 'race' in Mi Familia, the first Puerto Rican situation comedy with a black family | 207 | |
Textual (im)possibilities in the U.S. post-network era : negotiating production and promotion processes on lifetime's Any Day Now | 273 | |
'Ah, yes, I remember it well' : memory and queer culture in Will and Grace | 249 | |
Cartoon realism : genre mixing and the cultural life of The Simpsons? | 272 | |
The West Wing's prime-time presidentiality : mimesis and catharsis in a postmodern romance | 292 | |
Sex and the city and consumer culture : remediating postfeminist drama | 315 | |
Girls rule! : gender, feminism, and Nickelodeon | 332 | |
Soap opera in China : the transnational politics of visuality, sexuality, and masculinity | 353 | |
McTV : understanding the global popularity of television formats | 375 | |
Sounds real : music and documentary | 397 | |
From insiders to outsiders : the advent of new political television | 408 | |
Television melodrama | 438 | |
Components of a viewing culture | 455 | |
Big Brother : the real audience | 471 | |
Telenovela reception in rural Brazil : gendered readings and sexual mores | 486 | |
Sex appeal and cultural liberty : a feminist inquiry into MTV India | 507 | |
To have and to hold : the video collector's relationship with an ethereal medium | 530 | |
'This is not al dente' : The Sopranos and the new meaning of 'television' | 561 | |
The family racket : AOL Time Warner, HBO, The Sopranos, and the construction of a quality brand | 579 | |
Television as transmodern teaching | 595 | |
'Democracy as defeat' : the impotence of arguments for public service broadcasting | 605 | |
A response to Elizabeth Jacka's 'democracy as defeat' | 618 | |
Entertainment wars : television culture after 9/11 | 625 | |
Regulation, media literacy, and media civics | 654 |