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Television History Book »

Book cover image of Television History Book by Michele Hilmes

Authors: Michele Hilmes (Editor), Jason Jacobs
ISBN-13: 9780851709888, ISBN-10: 0851709885
Format: Paperback
Publisher: BFI Publishing
Date Published: December 2003
Edition: (Non-applicable)

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Author Biography: Michele Hilmes

Michele Hilmes is Professor of Media and Cultural Studies at the University of Wisconsin, Madison. She has written several books on broadcast history, including Only Connect: a Cultural History of Broadcasting in the United States (2001) and Radio Voices: American Broadcasting 1922 to 1952 (2001). Associate Editor Jason Jacobs is Senior Lecturer in the School of Film, Media and Cultural Studies at Griffith University, Queensland and author of Body Trauma TV: The New Hospital Dramas (bfi 2003).

Book Synopsis

Over the last half century, developments in television broadcasting have exerted an immeasurable influence over our social, cultural, and economic practices. With contributions by leading media scholars, The Television History Book presents an overview of the of history of broadcasting in Great Britain and the United States.
With its integrated format, The Television History Book encourages readers to make connections between events and tendencies that both unite and differentiate these national broadcasting traditions. From the origins of the public service and commercial systems of broadcasting to the current period of technological and economic convergence, the book provides an accessible overview of the history of television technology, institutions, polices, programs, and audiences.
The numerous "gray box" case studies illustrate the course of television innovation and are accompanied by lists of recommended further reading and an extensive bibliography

Table of Contents

Preface
Acknowledgements
Notes on Contributors
Introduction: TV Nations1
Technologies
Introduction4
Television's Prehistory: Radio (The Origins of the Soap Opera)4
The Development of Television (High Definition Television 1969-90)9
Cable, Satellite and the Challenge of Digital Media (Digital Distribution, Intellectual Property and the End of TV as We Know It?)13
The Internet: From Cold War to Commercialisation19
Institutions: From Origins to Stability
Introduction22
The Origins of Public Service Broadcasting (British Television before the War)22
The Origins of Commercial Broadcasting in the US26
Post-War Television in Britain: BBC and ITV (Grace Wyndham Goldie - Jason Jacobs)30
Establishment of the US Television Networks (The 'Other' Networks)35
Competition and Change in British Television (Television in Wales 1960-80)40
The 'Classic Network System' in the US (Genre Cycles: Innovation, Imitation, Saturation44
Institutions: Conflict and Change
Introduction50
Channel Four and the Redefining of Public Service Broadcasting (Jeremy Isaacs - First Chief Executive of Channel Four (1981-7)50
Public Television and Public Access in the US (Paper Tiger Television)55
Satellite, Cable and New Channels in the UK (Rupert Murdoch)59
US Television in the Multichannel Age (Protectionism, Deregulation and The Telecommunications Act of 1996)62
Programming: 1950s-80s
Introduction68
Early Television in Great Britain (The Coronation)69
Experimental and Live Television in the US (Studio One, 'The Hospital')72
ITV: 1955-89: Populism and Experimentation (Mystery and Imagination)76
The 'Youth Revolution' and American Television (The Smothers Brothers Comedy Hour [CBS, 1967-9])81
The BBC Adapts to Competition (Zircon)86
US Networks in the 1970s and 80s (Charlie's Angels)89
Programming: New Venues, New Forms
Introduction95
Channel Four: Innovation in Form and Content?95
Quality Drama in the US: The New 'Golden Age'? (China Beach)98
The 1990s: Quality or Dumbing Down? (Makeover Shows)103
New US Networks in the 1990s (Married...with Children)107
Satellite and Cable Programmes in the UK (All Aussie Weekender: Sky One Down Under)112
US Television Abroad: Exporting Culture (Baywatch)115
The Global Television Format Trade (Big Brother)118
Audiences
Introduction122
From Network to Neo-Network Audiences122
From Mass to Meanings (Citizens and Consumers)126
The Ratings System and Its Effects (The A. C. Nielsen Company)129
The Television Violence Debates (The V-Chip)132
Audiences and the Internet (Xena and Buffy Fans)137
Bibliography141
Index155

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