Tablet & Pen: Literary Landscapes from the Modern Middle East »

REZA ASLAN has studied religions at Santa Clara University, Harvard University, and the University of California, Santa Barbara. He holds an MFA in fiction from the Writers’ Workshop at the University of Iowa, where he was also visiting assistant professor of Islamic and Middle Eastern Studies. His work has appeared in USA Today, U.S. News & World Report, and The Chronicle of Higher Education as well as a number of academic journals. Born in Iran, he lives in Santa Barbara and New Orleans.

A volume that celebrates the magnificent achievement of twentieth-century Middle Eastern literature that has been neglected in the English-speaking world.

Publishers Weekly

This mammoth anthology goes a long way toward achieving its equally mammoth goal: to shift American views of the Middle East away "from the ubiquitous images of terrorists and fanatics." With selections covering the past 100 years and from countries as diverse as Iran, Turkey, Morocco, and Pakistan, the book presents a progression from largely premodern tales through mid-century post-colonialism to a contemporary globalized Islam and Middle East. Despite the panoramic view and the dazzling array of writers, it all hangs together exceedingly well, and the carefully conceived scaffolding is in service of some extraordinary literature. Jalal Al-e Ahmad's "Gharbzadegi" (roughly translated as "Westoxification"), a passionate call for Arabs to stop aping the West, could give today's pundit class several lessons in wit and rhetoric. The outstanding excerpt from Sadegh Hedayat's The Blind Owl should get the neglected translation some new readers. These prose pieces are met by equally accomplished poetry that ranges from the ranks of titans Adonis and Mahmoud Darwish to a host of lesser-knowns plying a range of styles and subjects. An impressive success that spans vast regions of time and territory, this is that rare anthology: cohesive, affecting, and informing. (Nov.)