Authors: Lewis A. Erenberg
ISBN-13: 9780226215174, ISBN-10: 0226215172
Format: Paperback
Publisher: University of Chicago Press
Date Published: October 1999
Edition: (Non-applicable)
During the 1930s, swing bands combined jazz and popular music to create large-scale dreams for the Depression generation, capturing the imagination of America's young people, music critics, and the music business. Swingin' the Dream explores that world, looking at the racial mixing-up and musical swinging-out that shook the nation and has kept people dancing ever since.
"Swingin' the Dream is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."—Jonathan Yardley, Washington Post Book World
"An absorbing read for fans and an insightful view of the impact of an important homegrown art form."—Publishers Weekly
"[A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."—Tony Russell, Times Literary Supplement
Few musicologists give much acknowledgment to musical styles popular before the bebop explosion of the late 1940s. Mindless commercial entertainment for the masses seems to be the consensus of most serious critics. But Erenberg (Steppin' Out, Greenwood, 1981) makes the case that the era between 1935 and 1948, when big bands dominated popular culture, was a golden age when American music finally shed the constraints of European influence. Making its greatest impact during the stormy periods of the Great Depression and World War II, this music, a collaboration between African Americans and the children of immigrants, changed not only culture but American society as a whole. The effect of the fans shaping the course of the music hints at the influence young people continue to have on popular culture to this day. This book is a thorough chronicle of a vibrant music that provided the soundtrack for some of our most troubling times, and along the way changed our country's view of itself. Clearfield Cty. P.L. Federation, Curwensville, PA
List of Illustrations | ||
Preface | ||
Acknowledgments | ||
List of Abbreviations | ||
Pt. 1 | From Jazz to Swing, 1929-1935 | |
1 | Just One More Chance: The Fall of the Jazz Age and the Rise of Swing, 1929-1935 | 3 |
Pt. 2 | Now they Call it Swing, 1935-1942 | |
2 | The Crowd Goes Wild: The Youth Culture of Swing | 35 |
3 | Swing Is Here: Benny Goodman and the Triumph of American Music | 65 |
4 | News from the Great Wide World: Count Basie, Duke Ellington, and Black Swing Bands | 94 |
5 | Swing Left: The Politics of Race and Culture in the Swing Era | 120 |
6 | The City of Swing: New York and the Dance Band Business in Black and White | 150 |
Pt. 3 | Culture Noir, 1942-1954 | |
7 | Swing Goes to War: Glenn Miller and the Popular Music of World War II | 181 |
8 | The War in Jazz | 211 |
9 | Coda and Conclusion: Red Scares and Head Scares | 241 |
Notes | 255 | |
Index | 295 |