Authors: Charles Derry
ISBN-13: 9780786412082, ISBN-10: 0786412089
Format: Paperback
Publisher: McFarland & Company, Incorporated Publishers
Date Published: September 2001
Edition: 1st Edition
This book is a comprehensive study of one of the most popular genres in the cinema. From a perspective sympathetic to popular culture, this study analyzes a large number of primarily American and French films by a variety of distinguished directors, including Alfred Hitchcock, Claude Chabrol, John Frankenheimer, Michelangelo Antonioni, and Costa-Gavras.
The first section of the book is primarily theoretical. It offers a bibliographical survey and then explains why we so profoundly enjoy these suspenseful films of murder and intrigue. A chapter on "Thrills: or, How Objects and Empty Spaces Compete to Threaten Us" explores the psychological concept of the thrill and relates it to the psyche of the spectator. To what extent does the suspense thriller represent a symbolic and vicarious experience of danger? A chapter on "Suspense That Makes the Spectator Take a Breath" explores the crucial narrative concept of suspense and relates it to the psychological mechanisms of anxiety incited in the spectator. Why do we like to be scared? A final theoretical chapter offers a dynamic definition of the suspense thriller derived in part from Edgar Allan Poe and based primarily on content analysis.
The second section of the book is more of an historical survey and devotes one chapter to each of the suspense thriller's primary sub-genres. These chapters provide close readings of over 150 major films and detailed analysis of the suspense thriller's conventions, themes, and recurrent iconography. Sub-genres include The Postman Always Rings Twice, Body Heat, The Manchurian Candidate, The China Syndrome, Missing, The Passenger, Spellbound, Obsession, Marathon Man and Blue Velvet. A final chapter explores areas for further research and offers concluding insights.
Author Biography: Charles Derry is a member of the Society for Cinema Studies and teaches at Wright State University in Dayton, Ohio, where he is the Coordinator of the Film Studies Program. He has also written on popular culture, melodrama, and soap opera.
Scholarly...recommended.
Acknowledgments | ||
Pt. I | Toward a Definition of the Suspense Thriller | |
1 | Perceptions and Dilemmas | 3 |
2 | Thrills; or, How Objects and Empty Spaces Compete to Threaten Us | 21 |
3 | Suspense That Makes the Spectator Take in a Breath | 31 |
4 | A Definition | 55 |
Pt. II | Different Kinds of Thrillers | |
5 | The Thriller of Murderous Passions | 72 |
6 | The Political Thriller | 103 |
7 | The Thriller of Acquired Identity | 175 |
8 | The Psychotraumatic Thriller | 194 |
9 | The Thriller of Moral Confrontation | 217 |
10 | The Innocent-on-the-Run Thriller | 270 |
11 | To be Continued | 321 |
Notes | 327 | |
Bibliography | 335 | |
Index | 337 |