Authors: Bente A. Videbaek
ISBN-13: 9780313298721, ISBN-10: 0313298726
Format: Hardcover
Publisher: Greenwood Publishing Group, Incorporated
Date Published: April 1996
Edition: (Non-applicable)
BENTE A. VIDEBAEK is an Adjunct Professor of English at Suffolk County Community College.
The majority of Shakespeare's plays have at least one clown figure making an appearance. These characters range from rogues who say only a line or two, to important figures like Touchstone and Falstaff. Videbaek examines even the smallest clown roles, showing how the clown's freedom of speech allows him to become a mediator between the audience and the action of the play, helping audience interpretation. This illuminating celebration of the stage clown's contribution to the understanding and enjoyment of Shakespeare's plays will be a valuable resource for both students and scholars alike.
Shakespeare wrote a surprisingly large number of plays in which the clown plays a major contribution to the understanding of the play. Videbaek (English, Suffolk County Community College) examines the roles that clowns and clown-like figures play in specific plays, including lightening or deepening the atmosphere, signaling a turning point, mediating between the audience and the actors, and undermining or supporting the protagonists. Annotation c. Book News, Inc., Portland, OR (booknews.com)
Introduction | 1 | |
Pt. I | Minor Roles: Cameo Appearance, Great Effect | 5 |
1 | Rustic Clowns in Titus Andronicus, The Taming of the Shrew, Antony and Cleopatra | 7 |
2 | Servant Clowns in Romeo and Juliet, Othello, Macbeth, Timon of Athens, The Tempest | 13 |
3 | Miscellaneous Clowns in Richard III, Hamlet, Pericles, Cymbeline, The Winter's Tale | 23 |
Pt. II | Major Roles: Expanded Function | 37 |
4 | Bottom in A Midsummer Night's Dream, Dogberry in Much Ado About Nothing | 39 |
5 | The Dromios in The Comedy of Errors, Grumio in The Taming of the Shrew, Speed and Launce in The Two Gentlemen of Verona | 53 |
6 | Costard in Love's Labour's Lost, Launcelot Gobbo in The Merchant of Venice | 63 |
7 | Pompey in Measure for Measure | 69 |
Pt. III | The Court Jesters in the Comedies | 75 |
8 | Lavatch in All's Well That Ends Well | 77 |
9 | Touchstone in As You Like It | 85 |
10 | Feste in Twelfth Night | 95 |
Pt. IV | The Clowns as "The Bitter Fool" | 111 |
11 | Thersites in Troilus and Cressida | 113 |
12 | Lear's Fool in King Lear | 123 |
Pt. V | Falstaff as Clown | 137 |
13 | The Henriad | 139 |
14 | The Merry Wives of Windsor | 159 |
Pt. VI | Clown Characteristics in Nonclown Characters | 169 |
15 | Philip the Bastard in King John | 171 |
16 | Hamlet in Hamlet | 177 |
Conclusion | 191 | |
Appendix: The Elizabethan Clown | 195 | |
Bibliography | 201 | |
Index | 207 | |
Index of Acts and Scenes | 213 |