Authors: Wesley Britton
ISBN-13: 9780275981631, ISBN-10: 0275981630
Format: Hardcover
Publisher: Greenwood Publishing Group, Incorporated
Date Published: January 2004
Edition: New Edition
WESLEY BRITTON earned his Ph.D. in American Literature from the University of North Texas. Since then he has taught college-level English in Texas, Oklahoma, and Pennsylvania, and has published poetry, book reviews, scholarly, encyclopedia entries, and newspaper columns in various books and periodicals.
A writer and college English teacher traces the evolution of television spy series over the past half-century from the early 1960s anti-communist propaganda spy shows to today's high-tech global-international espionage programs. The 14 chapters explore topics including the genre's ideological roots, cultural contexts, analysis of a wide range of programs and characters, and the future of TV espionage. Annotation ©2004 Book News, Inc., Portland, OR
An English professor who does freelance writing, Britton has produced a comprehensive guide to the many espionage-oriented television series that have aired in the United States from the early 1960s to the present. Clearly enamored of his subject, he provides near blow-by-blow descriptions of the shows' production aspects, including interesting details about casting, network politics, the demands of a television audience, production schedules, and the like. Britton also brings contemporary shows such as 24, Alias, La Femme Nikita, and The X-Files into historical context by comparing them with earlier shows like The Prisoner, I Spy, The Bionic Woman, and The Scarecrow and Mrs. King. Despite some occasionally clumsy writing, the final product offers a fascinating window into an understudied genre. The first entry in a new series on television, this work is recommended for academic libraries that support television and popular culture programs and public libraries where demand exists. Andrea Slonosky, Long Island Univ., Brooklyn, NY Copyright 2004 Reed Business Information.
Acknowledgments
Introduction
Defining a Genre
The Roots of a Family Tree
Bond, Beatles, and Camp: The Men from U.N.C.L.E
More British than Bond: John Steed, The Avengers, and Feminist Role-Playing
Cold War Sports and Games: I Spy and Radical Politics
The Cold War and Existential Fables: Danger Man, Secret Agent, and The Prisoner
The Page and the Screen: The Saint and Robin Hood Spies
Interchangeable Parts: Missions: Impossible
Bond on the Prarie: From The Wild Wild West to the Secret Adventures of Jules Verne
Tongues in Cheek to Tongues Sticking Out: Get Smart and the Spoofing of a Genre
Also Rans and New Branches: Network Secret Agents from 1963-1980
Reagan, Le Carre, Clancy, Cynicism, and Cable: Down to Earth in the 1980s and 1990s
The Return of Fantasy and the Dark Nights of Spies: The X-Files, La Femme Nikita, and the New Millennium
Active and Inactive FILES: Alias, 24, The Agency and 21st Century Spies
Conclusion
The Past, Present, and Future of TV Espionage: Why Spies?
Chapter Notes
References