Authors: James Laster
ISBN-13: 9780810840010, ISBN-10: 0810840014
Format: Paperback
Publisher: Rowman & Littlefield Publishers, Inc.
Date Published: May 2001
Edition: (Non-applicable)
So, You're the New Musical Director! is aimed at the person who has music training but little or no experience with musical theatre, the high school choral director with a degree in music education, or the actor participating in community theatre productions. It details the duties involved in directing a Broadway musical, including overseeing singer and orchestra rehearsals and conducting the musical itself. The chapters follow the actual progression of a musical from a discussion of the production team's responsibilities to the final bow. Filled with photos, illustrations, and examples, So, You're the New Musical Director! is a comprehensive guide that no one involved in musical theatre should be without.
OK, so you've got musical director credentials. What's more, you've also sung in and directed choirs. But what about overseeing musical theater a grand undertaking that will combine and test all of your skills? Musical director veteran Laster (emeritus, Shenandoah Conservatory) shows those with music education and choral backgrounds how to do just that. Chockfull of examples, anecdotes, and clear, concise instruction on everything from selecting the work to staging the performance, this guide is written in a conversational yet authoritative tone that will connect with its audience. Laster's book is similar to Robert Boland and Paul Argentini's Musicals! (LJ 10/1/97), though the former deals more with the instrumental side and latter is more of a general overview. This would be an excellent textbook in music education. Highly recommended for public, academic, and music libraries. Janet Brewer, Murray State Univ., KY Copyright 2001 Cahners Business Information.
List of Examples | ||
Preface | ||
Acknowledgments | ||
1 | So You're the New Musical Director | 1 |
2 | The Production Team | 3 |
3 | Selecting the Work | 11 |
4 | Auditions | 19 |
5 | Call-Backs | 27 |
6 | Casting | 31 |
7 | Chorus Books/Vocal Parts | 33 |
8 | First Music Rehearsal with Cast | 37 |
9 | Style | 45 |
10 | Blocking | 51 |
11 | Some Electronic Help | 57 |
12 | Dance Numbers | 59 |
13 | Rehearsal Pianist | 63 |
14 | Run-Through Rehearsal with Cast | 67 |
15 | Stop/Go Rehearsal with Cast | 69 |
16 | Accompaniment of the Performance | 71 |
17 | The Piano/Vocal Score | 75 |
18 | String Books | 81 |
19 | Reed Books | 83 |
20 | Brass, Percussion, and Keyboard Books | 87 |
21 | Locating Instrumentalists or The Pit Personnel | 91 |
22 | Cuts in the Score | 93 |
23 | The First Instrumental Rehearsal | 97 |
24 | Conducting | 105 |
25 | Pit Placement of Instrumentalists | 111 |
26 | Vamp | 115 |
27 | Holding It All Together: Transitions | 123 |
28 | That "Sticky" Question | 129 |
29 | Tech Rehearsal | 133 |
30 | Dress Rehearsal | 135 |
31 | Performance | 139 |
32 | Opening Night | 143 |
33 | After the Last Performance | 147 |
34 | Is Pit Playing Hack Work? | 149 |
35 | Well ... Maybe Next Time | 151 |
Appendix | 153 | |
Notes | 155 | |
Bibliography | 157 | |
Index | 159 | |
About the Author | 161 |