Authors: Steve Clements
ISBN-13: 9781879505773, ISBN-10: 1879505770
Format: Paperback
Publisher: Silman-James Press
Date Published: January 2005
Edition: (Non-applicable)
Steve Clements has written, directed, and produced numerous types of non-fiction programs-from network broadcast to video to live production in a Disney studio. He has managed production staffs ranging from four to 150 and established and met budgets ranging from $11,000 to $1,000,000 a week. Recently, Clements joined the Augusta State University faculty as Cree-Walker Distinguished Professor of Television. At ASU, he heads the television department and trains MBA candidates. He has also created a film program to serve the city of Augusta.
The show runner is the television producer who commands a show's moment-to-moment, day-to-day details. The show runner hires and supervises the staff, decides what will be included in each show, coordinates the casting of each segment, makes sure that a show adheres to its budget, and oversees a production's flow of activities in conjunction with other producers, staff members, technical crews, and post-production personnel.
The only book to deal with the subject, this lively, wide-ranging, informative book covers all aspects of show running variety and talk shows for television. Filled with examples from actual television shows, it covers
- making, pitching, and selling a pilot show;
- production development;
- a show runner's duties and weekly schedule;
- working with other members of a production's staff and crew;
- producing a season of shows,
Along the way, it also defines the roles played by the many producers whose credits we see on the screen (line producer, field producer, executive producer, etc.) and their interactions with the all-important show runner.
Additionally, SHOW RUNNER covers show running as a career, discussing the hard realities and many pleasures of the job, including selling oneself, finding work, negotiating for a percentage of a show's profits, and more.
1 | Defining the term "producer" | 1 |
2 | Making a successful pilot | 15 |
3 | Selling the show | 33 |
4 | The show runner's weekly schedule | 73 |
5 | Floor producing a season of shows | 109 |
6 | Mickey mouse-club | 115 |
7 | A career as a non-fiction producer | 131 |
8 | My story | 149 |
9 | Finding a job | 161 |
10 | The bottom line | 167 |
11 | In closing | 173 |