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Senselessness »

Book cover image of Senselessness by Horacio Castellanos Moya

Authors: Horacio Castellanos Moya, Katherine Silver
ISBN-13: 9780811217071, ISBN-10: 0811217078
Format: Paperback
Publisher: New Directions Publishing Corporation
Date Published: May 2008
Edition: (Non-applicable)

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Author Biography: Horacio Castellanos Moya

Horacio Castellanos Moya was born 1957 in Honduras. He has lived in San Salvador, Canada, Costa Rica, Mexico (where he spent ten years as a journalist, editor, and political analyst), Spain, and Germany. In 1988 he won the National Novel Prize from Central American University for his first novel. His work has been published and translated in England, Germany, El Salvador and Costa Rica. He has published nine novels and is now living in exile as part of the City of Asylum project in Pittsburgh, Pennsylvania.

Katherine Silver has won a PEN Translation Fund Award, an NEA grant, and a Black Mountain Institute/Rainmakers Grant.

Book Synopsis

A Rainmaker Translation Grant Winner from the Black Mountain Institute: Senselessness, acclaimed Salvadoran author Horacio Castallanos Moya's astounding debut in English, explores horror with hilarity and electrifying panache.

Publishers Weekly

The first of exiled Honduran novelist Moya's eight fictions to be translated in the U.S., this crushing satire has at its center a feisty young unnamed writer in penurious political exile from an unnamed Latin American country. It opens as he explains the daunting and dangerous freelance job he has taken in an also-unnamed neighboring state: to edit a 1,100-page report prepared for the country's Catholic archdiocese that details the current military regime's torture and murder of thousands of indigenous villagers. The writer despises the Church, but is moved and agitated by the disturbing testimonies of the survivors, at once unspeakable in their horror and unforgettable in their phrasing: "the more they killed, the higher they rose up." More or less one long rant, the book's paragraphs go on for pages as the writer gives way to paranoia, and to a sexual longing that his loneliness and powerlessness make nearly unbearable, and that he expresses profanely. It's Moya's genius to make this difficult character seem a product of the same death and disorder documented in the report, as the survivors' voices merge with his own. (May)

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