Authors: Arthur Rimbaud, John Sturrock (Translator), Jeremy Harding (Translator), John Sturrock (Introduction), Jeremy Harding
ISBN-13: 9780140448023, ISBN-10: 0140448020
Format: Paperback
Publisher: Penguin Group (USA)
Date Published: March 2005
Edition: (Non-applicable)
Arthur Rimbaud (18541891) is one of France's most controversial and influential poets, though he gave up his career at a young age.
Jeremy Harding is a contributing editor at the London Review of Books, a translator, and journalist.
John Sturrock is consulting editor for the London Review of Books, a literary critic, travel writer, and translator of, among other works, Sodom and Gomorrah by Proust (forthcoming from Penguin Classics).
Arthur Rimbaud was one of the wildest, most uncompromising poets of his age, although his brief literary career was over by the time he was twenty-one when he embarked on a new life as a trader in Africa. This edition brings together his extraordinary poetry and more than a hundred of his letters, most of them written after he had abandoned literature. A master of French verse forms, the young Rimbaud set out to transform his art, and language itself, by a systematic “disordering of all the senses,” often with the aid of alcohol and drugs. The result is a highly innovative, modern body of work, obscene and lyrical by turnsa rigorous journey to extremes.
Jeremy Harding and John Sturrock's new translation includes Rimbaud's greatest verse, as well as his record of youthful torment, A Season in Hell (1873), and letters that unveil the man who turned his back on poetry.
Poems | 1 | |
The orphans' New Year gifts | 2 | |
First attempt | 8 | |
Sensation | 10 | |
Blacksmith | 12 | |
Ophelia | 22 | |
Dance of the hanged men | 26 | |
Tartufe punished | 28 | |
Venus rising from the water | 30 | |
Nina gets back to him | 32 | |
Set to music | 40 | |
Popular fiction | 42 | |
At the Green Inn | 46 | |
Knowing way | 46 | |
My bohemia (fantasy) | 48 | |
Seat-people | 50 | |
Heart of a clown | 52 | |
The hands of Jeanne-Marie | 54 | |
Seven-year-old poets | 58 | |
To the poet on the matter of flowers | 62 | |
First communion | 74 | |
Drunken boat | 86 | |
The seekers of lice | 92 | |
Vowels | 94 | |
Idol. arsehole sonnet | 96 | |
I. Drunken coachman (from 'imbecilities 2nd series') | 98 | |
State of siege? | 98 | |
Very old guard | 100 | |
Reminiscence of an aged Cretin | 100 | |
'Animals in former times ...' | 104 | |
'Our buttocks are not like theirs ...' | 104 | |
'What are they to us ...' | 108 | |
Memory | 110 | |
Tear | 114 | |
River of Cassis | 114 | |
Comedy of thirst | 116 | |
Good thought for the morning | 122 | |
Song from the highest tower (from 'festivals of patience') | 124 | |
Festivals of hunger | 126 | |
[Happiness] | 128 | |
Shame | 130 | |
Foreword | 132 | |
'It's the same countryside ...' | 132 | |
'This time it's the woman ...' | 134 | |
'Once, if I recall correctly ...' | 138 | |
Bad blood | 140 | |
Night in hell | 150 | |
Delirium I : foolish virgin, infernal groom | 156 | |
Delirium II : alchemy of the word | 164 | |
The impossible | 176 | |
Lightning | 180 | |
Morning | 182 | |
Adieu | 184 | |
After the flood | 188 | |
Childhood | 190 | |
Lives | 194 | |
Departure | 198 | |
To a version of reason | 198 | |
Morning of intoxication | 198 | |
Fragments/12 | 200 | |
Workers | 202 | |
The bridges | 202 | |
City | 204 | |
Cities (I) | 204 | |
Tramps | 208 | |
Vigils | 208 | |
Dawn | 210 | |
Seascape | 212 | |
Barbaric | 212 | |
Sale | 214 | |
Youth | 216 | |
Promontory | 218 | |
Historic evening | 220 | |
Movement | 222 | |
Democracy | 224 | |
Genie | 224 | |
Letters | 229 |