Scorsese by Ebert »

Roger Ebert is the Pulitzer Prize–winning film critic of the Chicago Sun-Times. Starting in 1975, he cohosted a long-running weekly movie review program on television, first with Gene Siskel and then with Richard Roeper. He is the author of numerous books on film, including The Great Movies, The Great Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the University of Chicago Press.

 

 

 

 

Roger Ebert wrote the first film review that director Martin Scorsese ever received—for 1967’s I Call First, later renamed Who’s That Knocking at My Door—creating a lasting bond that made him one of Scorsese’s most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America’s most respected film critic’s engagement with the works of America’s greatest living director, chronicling every single feature film in Scorsese’s considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary Shine a Light.

 

In the course of eleven interviews done over almost forty years, the book also includes Scorsese’s own insights on both his accomplishments and disappointments. Ebert has also written and included six new reconsiderations of the director’s less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema.

 

"Given their career-long back-and-forth, this collection makes perfect sense. . . . In these reconsiderations, Ebert invites us into his thought processes, letting us see not just what he thinks, but how he forms his opinions. Ebert’s insights into Scorsese are terrific, but this book offers the bonus of further insights into Ebert himself."—Time Out Chicago

 

"Ebert, film critic for the Chicago Sun-Times, is an unabashed fan of Scorsese, whom he considers ‘the most gifted director of his generation.’ . . . Of special note are interviews with Scorsese over a 25-year period, in which the director candidly discusses his body of work."—Publishers Weekly

 

 

Publishers Weekly

Ebert, film critic for the Chicago Sun-Times, is an unabashed fan of Scorsese, whom he considers "the most gifted director of his generation." To prove it, he's compiled his reviews of every Scorsese film-beginning with I Call First in 1967 to his latest, Shine a Light. Along the way, Ebert pays special tribute to five "masterpieces," including Taxi Driver, Raging Bull and Mean Streets, which he calls "one of the source points of modern movies." These three films in particular, Ebert argues, reflect Scorsese's ongoing preoccupation with sex and guilt, themes fueled by a Catholic upbringing and his childhood in New York City's Little Italy. Citing the director's strong collaboration with actor Robert De Niro and screenwriter Paul Schrader, Ebert says all three men seem "fascinated by the lives of tortured, violent, guilt-ridden characters," usually men who cannot relate to women, such as Travis Bickle in Taxi Driver or Jake LaMotta in Raging Bull. Of special note are interviews with Scorsese over a 25-year period, in which the director candidly discusses his body of work. (Oct.)

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Foreword Martin Scorsese Scorsese, Martin

Introduction 1

Pt. 1 Beginning

Introduction 11

I Call First 16

Who's That Knocking at My Door 18

Reconsideration 21

Woodstock: An Interview with Martin Scorsese & Company 25

Boxcar Bertha 32

Mean Streets 34

Alice Doesn't Live Here Anymore 36

Taxi Driver 39

An Interview With Martin Scorsese and Paul Schrader 42

New York, New York 48

Reconsideration 51

The Last Waltz 55

Pt. 2 Achieving

Introduction 61

Raging Bull 65

The King of Comedy 68

Scorsese: King of Romantic Pain 71

Reconsideration 77

After Hours 82

Reconsideration 85

The Color of Money 89

The Last Temptation of Christ 93

Scorsese's Last Temptation 96

Reconsideration 100

New York Stories: "Life Lessons" 105

Martin Scorsese and His "New York" Story 107

Pt. 3 Establishing

Introduction 115

GoodFellas 120

Why Goodfellas Was the Best Film of 1990 124

Cape Fear 129

The Age of Innocence 132

The Innocence of Martin Scorsese 136

Casino 143

De Niro, Pesci, Scorsese Tell a Shocking Mob Story in Casino 147

Pt. 4 Reflecting

Introduction 157

Wexner Center for the Arts Interview 158

Pt. 5 Venturing

Introduction 209

Kundun 215

Scorsese Learns from Those Who Went Before Him 218

Reconsideration 224

Bringing Out the Dead 228

Bringing Out Scorsese 231

Gangs of New York 235

Gangs All Here for Scorsese 239

The Aviator 243

Howard's End: Scorsese and the Aviator 247

No Direction Home: Bob Dylan 251

The Departed 256

Shine a Light 260

Pt. 6 Masterpieces

Introduction 265

Mean Streets 268

Taxi Driver 272

Raging Bull 277

GoodFellas 281

The Age of Innocence 286

Index 307