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Sanditon and Other Stories »

Book cover image of Sanditon and Other Stories by Jane Austen

Authors: Jane Austen, Peter Washington
ISBN-13: 9780679447191, ISBN-10: 0679447199
Format: Hardcover
Publisher: Knopf Doubleday Publishing Group
Date Published: April 1996
Edition: (Non-applicable)

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Author Biography: Jane Austen

Jane Austen's delightful, carefully wrought novels of manners remain surprisingly relevant, nearly 200 years after they were first published. Her novels -- Pride and Prejudice and Emma among them -- are those rare books that offer us a glimpse at the mores of a specific period while addressing the complexities of love, honor, and responsibility that still intrigue us today.

Book Synopsis

(Book Jacket Status: Jacketed)

Readers of Jane Austen’s six great novels are left hungering for more, and more there is: the marvelous unpublished manuscripts she left behind, collected here.

Sanditon might have been Austen’s greatest novel had she lived to finish it. Its subject matter astonishes: here is Austen observing the birth pangs of the culture of commerce, as her country-bred heroine, a foolish baronet, a family of hypochondriacs, and a mysterious West Indian heiress collide against the background hum of real-estate development at a seaside resort.

The Watsons, begun in 1804 but never completed, tells the story of a young woman who was raised by a rich aunt and who finds herself shipped back to the comparative poverty and social clumsiness of her own family.

The novella Lady Susan is a miniature masterpiece, featuring Austen’s only villainous protagonist. Lady Susan’s subtle, single-minded, and ruthless pursuit of power makes the reader regret that Austen never again wrote a novel with a scheming widow for its heroine.

The special joy of this collection lies in Austen’s juvenilia–tiny novels, the enchantingly funny Love and Freindship, comic fragments, and a (very) partial history of England–romping miniatures that she wrote in her teens. Their high spirits, hilarity, and control offer delicious proof that Austen was an artist “born, not made.”

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