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Authors: Stephen Hutchings
ISBN-13: 9780415546126, ISBN-10: 0415546125
Format: Paperback
Publisher: Taylor & Francis, Inc.
Date Published: April 2009
Edition: (Non-applicable)
Providing many interesting case studies and bringing together many leading authorities on the subject, this book examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on the consciousness of the Soviet people.
Introduction : the ekranizatsiia in Russian culture | 1 | |
Pt. I | Film adaptations from the start to Stalin : manufacturing the myth | 25 |
1 | 'Crime without punishment' : reworkings of nineteenth-century Russian literary sources in Evgenii Bauer's Child of the Big City | 27 |
2 | Educating Chapaev : from document to myth | 44 |
3 | Ada/opting the son : war and the authentication of power in Soviet screen versions of children's literature | 59 |
Pt. II | Literature and film in the post-Stalin period : the myth in retreat | 73 |
4 | Adapting foreign classics : Kozintsev's Shakespeare | 75 |
5 | The sound of silence : from Grossman's Berdichev to Askol'dov's Commissar | 89 |
6 | Film adaptations of Aksenov : the young prose and the cinema of the Thaw | 100 |
7 | Screening the short story : the films of Vasilii Shukshin | 116 |
Pt. III | Re-viewing Russia : myth and nation | 133 |
8 | The Mikhalkov brothers' view of Russia | 135 |
9 | Adapting the landscape : Oblomov's vision in film | 153 |
10 | 'Imperially, my dear Watson' : Sherlock Holmes and the decline of the Soviet empire | 164 |
Pt. IV | From text to screen, Soviet to post-Soviet : re-interpreting the myth | 179 |
11 | 'I love you, dear captive' : gender and narrative in versions of The Prisoner of the Caucasus | 181 |
12 | Post-Soviet film adaptations of the Russian classics : tradition and innovation | 194 |